Top Movies from United States Of America
You’re now browsing page 2167, where our exploration of United States Of America films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Jump (1971)
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A Southern stock-car driver puts his rising career in the hands of a race promoter.
Ginger (1971)
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The police suspect that a drug and forced-prostitution ring is behind the recent spate of kidnappings and disappearances, but so far they've been unable to infiltrate the suspects gang. To break the case, they recruit Ginger, a young woman from an upper-class family to act as bait for the kidnappers and hopefully lead the police to their hideout. It may sound like a foolproof plan to the police, but Ginger's the one who has to risk it all.
Star Spangled Girl (1971)
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A pair of 60's hippies fall in love with the girl next door, who is exactly the kind of square that they are fighting against.
Blood and Lace (1971)
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After her prostitute mother and her john are beaten to death while they are asleep in bed, teen-aged Ellie Masters is sent to an isolated orphanage run by a mysterious woman and her handyman, both whom she comes to suspect are hiding dark secrets.
Going Home (1971)
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After doing 13 years in prison for the murder of his wife, mechanic Harry Graham is out on parole and looking to rebuild his life in a small seaside community. He settles into a trailer park and finds both a job and a girlfriend. But things get difficult for Harry when his estranged son, Jimmy, shows up. He witnessed his mother's murder as a child and, after years spent in foster homes, has come looking for revenge.
Wild Riders (1971)
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Two juvenile delinquents break into a luxury house where they rape two women. They settle in the house, sell the valuables and kill a curious neighbour.
Pink Angels (1971)
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Six rough and tumble motor cyclists meet at the side of an empty highway to plan their adventurous excursion cycling to Los Angeles. The burly bunch are Michael (John Alderman), David (Tom Basham), Henry (Bob Bihiller), Arnold (Bruce Kimbal), Eddie (Henry Olek) and Ronnie (Maurice Warfield). They're deceptive: although they look like the adventure addicted non-conformists of today out to raise Hell as they brawl their way over countryside and local towns, actually the six are on a different type of trip to the City of the Angels.
The Seven Minutes (1971)
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To help with an upcoming election, a bookstore clerk is indicted for selling obscene material. The defense attorneys need to find the mystery of the original publication of the book.
The Hard Ride (1971)
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While in Vietnam, a GI promises his dying buddy that he'll take care of his motorcycle, "Baby", when he gets back home. After his discharge, he meets up with his dead friend's girlfriend, gets the bike, and then runs into trouble from some other bikers who don't like the idea of his having the motorcycle or the girl.
The Murder of Fred Hampton (1971)
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Fred Hampton was the leader of the Illinois Chapter of the Black Panther Party. This film depicts his brutal murder by the Chicago police and its subsequent investigation, but also documents his activities in organizing the Chapter, his public speeches, and the programs he founded for children during the last eighteen months of his life.
The Night God Screamed (1971)
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A woman is persecuted by Jesus freaks after they've crucified her preacher husband.
The Love Machine (1971)
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An ambitious TV newscaster has an affair with the wife of a network executive to get a promotion.
Dagmar's Hot Pants, Inc. (1971)
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Known to her clients as Dagmar, she's a classy Swedish call girl in Copenhagen. After two years, she's ready quit, and we follow her on what she hopes is her last day in the trade. She wakes at 9 AM, gets her first call and a marriage proposal, checks in with her doctor, pays final visits to various clients, arranges to lease her flat, passes on her black book to a colleague, tries to beg off on an impromptu session with Japanese businessmen, has a quick conversation with her brother, and makes a couple of charitable contributions. All the while, her eyes on the clock, there's the threat of her pimp finding out about her plans. If she pulls
Bury Me an Angel (1971)
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After a stranger murders her brother, Dag sets out on the road to avenge his murder, toting a shotgun and leaving any restraint behind.
The Takers (1971)
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After a breakfast of LSD and hitchhikers, The Takers--two berserk bikers--decide to go upscale when they spot suburban housewife Laura and bachelorette Barbi, follow them to Laura's home, and invite themselves in: "We're gonna have us a party with some educated social-type broads!" And party they do until Laura's hubbie (director Carl Monson) unexpectedly shows up to settle things with some shotgun vengeance and... well, one of the goofiest, most startling endings of any motion picture!
Catch Me a Spy (1971)
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While on vacation, a woman's husband is taken by the Russian government. After one attempt fails, she begins looking for a suitable spy to capture and trade in exchange for her husband, but she develops an attraction to the one she thinks is a good candidate.
Love Toy (1971)
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A degenerate gambler, unable to come up with the cash necessary for a high stakes gin rummy game, bets his nubile daughter. And loses. His daughter immediately becomes the delectable property of a hot-to-trot sex fiend and the film promptly becomes a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, and more.
Basic Training (1971)
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Shot during the summer of 1970 at Fort Knox, Kentucky, Frederick Wiseman’s film Basic Training focuses on a group of men going through infantry training, showing how they are turned from civilians into soldiers. As well as being a unique portrait of the US army at work, the film is also a fascinating snapshot of a time and place at a defining moment in American history.