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Top Movies from United States Of America

You’re now browsing page 2172, where our exploration of United States Of America films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!

On a Clear Day You Can See Forever (1970)

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Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to do it. But once she's under, her doctor finds out that she can regress into past lives and different personalities, and he finds himself falling in love with one of them.

The Cross and the Switchblade (1970)

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David Wilkerson's first five years in New York City, where he ministered to disillusioned youth, encouraging them to turn away from the drugs and gang violence they were involved with.

You Can't Win 'Em All (1970)

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During the 1922 Turkish Civil War, two Americans and a group of foreign mercenaries offer their services to a local Turkish governor who hires them as guards for a secret transport.

The McMasters (1970)

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When a black Civil War veteran becomes co-owner of the southern McMasters ranch, the incensed local Confederate veterans come gunning for him and his Indian wife.

Equinox (1970)

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Due to their possession of an ancient mystic book, four friends are attacked by a demon while on a picnic and find themselves pitched into a world of evil that overlaps their own. The film was originally made in 1967 by Dennis Muren as The Equinox: Journey into the Supernatural. Jack Woods was hired to shoot additional footage and expand on Muren's work.

Woodstock (1970)

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An intimate look at the Woodstock Music negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

How Do I Love Thee? (1970)

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A professor recalls his atheistic father, his devoted mother and his father's blousy mistress.

A Walk in the Spring Rain (1970)

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A sophisticated, middle-aged grandmother, wed to a New York law professor, falls in love with a down-to-earth Tennessee farmer.

Husbands (1970)

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A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave the country together. But mindless enthusiasm for regained freedom will be short-lived.

Pufnstuf (1970)

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Jimmy (Jack Wild) ventures to Living Island with his magical, talking flute, Freddy. Once there, he befriends many of the island's inhabitants, but the evil Witchiepoo (Billie Hayes) is determined to steal Freddy the flute away from the boy to impress the visiting Witches' Council and win the Witch of the Year Award.

Watermelon Man (1970)

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A racist insurance agent lives in a typical suburban neighborhood. But his bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight.

The Losers (1970)

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Some bikers are hired by the CIA during the Vietnam War to rescue a captured agent from the clutches of the Red Chinese army. After a round of drinking, fighting, and whoring around, the cycle gang, led by Big Bill Smith, fix up their Yamahas with machine guns, grenades and armor plating, and storm the enemy camp.

Soldier Blue (1970)

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After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.

Hi, Mom! (1970)

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Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.

Something For Everyone (1970)

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In post-war Austria, an opportunistic young man begins working as a footman to a widowed countess and uses his sexual talents to better his station in life.

Wanda (1970)

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After a string of abusive relationships, Wanda abandons her family and seeks solace in the company of a petty criminal.

Count Yorga, Vampire (1970)

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Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica's just-dead mother. After taking the Count home, Paul and Erica are waylayed, and next day a listless Erica is diagnosed by their doctor as having lost a lot of blood. When she is later found feasting on the family cat the doctor becomes convinced vampirism is at work, and that its focus is Count Yorga and his large isolated house.

Where’s Poppa? (1970)

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When New York attorney Gordon Hocheiser meets Louise Callan, the girl of his dreams, he schemes to eliminate his aging, senile mother, even though he promised his late father that he'd always take care of her. He fears that his batty mom's eccentricities will shortly lead to Louise's departure.