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Top Movies from United States Of America

You’re now browsing page 2173, where our exploration of United States Of America films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!

The Wizard of Gore (1970)

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A TV talk-show hostess and her boyfriend investigate a shady magician whom has the ability to hypnotize and control the thoughts of people in order to stage gory on-stage illusions using his powers of mind bending.

They Call Me Mister Tibbs! (1970)

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A police detective's investigation of a prostitute's murder points to his best friend.

House of Dark Shadows (1970)

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The story of vampire Barnabas Collins, the possible cure offered him by Dr. Julia Hoffman, and his search for love amidst the horror.

Joe (1970)

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After murdering his daughter's drug-dealing boyfriend, a wealthy ad executive stumbles into a bar and strikes up an uneasy alliance with Joe Curran, a drunken bigot with a bloodlust who works at a local factory.

A Man Called Sledge (1970)

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James Garner is Luther Sledge, the leader of a pack of rebels who are planning to steal a stash of gold. But after the thieves actually manage to get away with the bounty, they soon discover that the enemy lies within their midst. As they begin to bicker over who should get the biggest cut, the stage is set for a deadly showdown. Claude Akins and John Marley co-star in this Italian Western directed by Vic Morrow.

Brewster McCloud (1970)

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Brewster is an owlish, intellectual boy who lives in a fallout shelter of the Houston Astrodome. He has a dream: to take flight within the confines of the stadium. Brewster tells those he trusts of his dream, but displays a unique way of treating others who do not fit within his plans.

Song of Norway (1970)

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Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.

The Dunwich Horror (1970)

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Dr. Henry Armitage, an expert in the occult, goes to the old Whateley manor in Dunwich looking for Nancy Wagner, a student who went missing the previous night. He is turned away by Wilbur, the family's insidious heir, who has plans for the young girl. But Armitage won't be deterred. Through conversations with the locals, he soon unearths the Whateleys' darkest secret — as well as a great evil.

Beast of Blood (1970)

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A mad scientist creates a monster, but after its head is cut off, he keeps it alive in a serum he has invented.

Togetherness (1970)

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Nina, a gorgeous blonde communist, attracts the attention of two wealthy bon vivants. Prince Solomon and Jack attempt to impress the young woman and win out over their rival, surrounded by the stunning scenery of Greece.

The Angel Levine (1970)

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Morris Mishkin is a elderly religious Jew in New York. His wife Fanny is very ill. He's a tailor, but he can't work because his back has given out. He doesn't even have enough money for Fanny's medicine. Finally, a black fellow appears from nowhere in the Mishkin kitchen. He says he's an angel from God, sent to help Mishkin. The black angel is even Jewish, named Alex Levine? But will Morris believe in the angel? And can the angel perform the miracle that he promises?

Hollywood Horror House (1970)

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An enigmatic young man manipulates his way into working at the decaying mansion of a once prolific, but now reclusive and alcoholic, movie star named Katharine Packard. While the rest of the house staff become suspicious of Vic's intentions, the aging movie queen is smitten. But as Vic begins behaving in more and more erratic ways, it becomes clear that he's far more sinister than his demeanor implies.

Chisum (1970)

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Cattle baron John Chisum joins forces with Billy the Kid and Pat Garrett to fight the Lincoln County Land War in the New Mexico Territory of 1878.

Cotton Comes to Harlem (1970)

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Harlem's African-American population is being ripped off by the Rev. Deke O'Malley, who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones and Coffin Ed Johnson look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. However, the police, O'Malley, and lots of others find themselves scrambling when the money goes missing.

Beyond the Valley of the Dolls (1970)

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An all-female rock group finds fame, love, and drama when they move to LA in order to claim the lead singer’s inheritance.

The Ballad of Cable Hogue (1970)

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Double-crossed and left without water in the desert, Cable Hogue is saved when he finds a spring. It is in just the right spot for a much needed rest stop on the local stagecoach line, and Hogue uses this to his advantage. He builds a house and makes money off the stagecoach passengers. Hildy, a prostitute from the nearest town, moves in with him. Hogue has everything going his way until the advent of the automobile ends the era of the stagecoach.

Diary of a Mad Housewife (1970)

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Tina Balser is a bored New York housewife-mother married to Jonathan, a pompous, social-climbing lawyer who ridicules her in front of their children, criticizing everything she does or wears. She begins an affair with George Prager, a dashing, successful, and blatantly sadistic writer.

The Boys in the Band (1970)

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A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.