Top Movies from United States Of America
You’re now browsing page 2207, where our exploration of United States Of America films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
Spider-Man (1967)
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The bite of a radioactive spider transforms a teen into a superhero.
Island of the Lost (1967)
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An anthropologist is shipwrecked with his family while on an expedition in search of an uncharted South Pacific island.
Portrait of Jason (1967)
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Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man's gin-soaked, pill-popped view of what it was like to be black and gay in 1960s United States. Preserved by the Academy Film Archive in partnership with Milestone Films in 2013.
The Touch of Her Flesh (1967)
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Richard Jennings returns from a business trip to discover his wife in bed with a lover. Panic stricken, he staggers to the street and is hit by a car, losing an eye. Scorned and vengeful, he adopts a new identity and begins a murderous rampage against all women he deems "immoral."
Festival (1967)
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Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.
Bomb at 10:10 (1967)
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An American pilot escapes from a POW camp and links up with Yugoslav partisans. He’s about to head back to Allied lines when he learns that the Partisans are plotting to assassinate the camp commander. He joins in the plot, aiming for revenge.
The Invaders (1967)
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The Invaders, alien beings from a dying planet. Their destination: the Earth. Their purpose: to make it their world. David Vincent has seen them, for him it began one lost night on a lonely country road, looking for a shortcut that he never found. It began with a closed deserted diner, and a man too long without sleep to continue his journey. It began with the landing of a craft from another galaxy. Now, David Vincent knows that the Invaders are here, that they have taken human form. Somehow he must convince a disbelieving world that the nightmare has already begun.
The Flying Nun (1967)
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Young Sister Bertrille uses her ability to become airborne to help others, whether they want it or not. Although her aims are always benevolent, her means are often bemoaned by Mother Superior. The other Sisters must cope with their beloved Sister's aerodynamics and antics as she flies in and out of trouble.
The Herculoids (1967)
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Somewhere out in the deep space live the Herculoids. Humanoid Zandor, along with his wife Tara and son Dorno, lead a group of unique creatures: Zok the flying dragon, powerful simian Igoo, rhinoceros hybrid Tundro and two protoplasmic wonders named Gloop and Gleep. Together, they use their diverse super strengths to defend their utopian planet against attack from sinister invaders.
Rowan & Martin's Laugh-In (1967)
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An American sketch comedy television program hosted by comedians Dan Rowan and Dick Martin.
Wavelength (1967)
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Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.
Banning (1967)
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A playboy golf pro, kicked off the circuit for alleged cheating, is forced to hustle for a living.
A Stranger in Town (1967)
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Unknown to anybody else but himself The Stranger arrives in an abandoned town where he witnesses the slaughter of Mexican soldiers by a gang led by Aguila. The Stranger threatens Aguila to denounce him if he does not accept to let him take part in the theft of a shipment of gold. The plan is a success but when The Stranger claims his due, he gets a good beating instead. However The Stranger manages to escape with the gold. The bandits, who want his skin, pursue him. But The Stranger is not the kind to get caught so easily...
Fort Utah (1967)
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An ex-gunfighter goes up against a man who is trying to stir up trouble with the Indians to enrich himself.
The Big Shave (1967)
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A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.
Point Blank (1967)
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After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.
The Fearless Vampire Killers (1967)
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A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.
The Jungle Book (1967)
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The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.