Top Movies from United States Of America
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Song Without End (1960)
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The romantic story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences.
A Terrible Beauty (1960)
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In 1941, the IRA plans a campaign to coincide with the planned German invasion of England. Dermott O'Neil finds it easy to get into the IRA, but can he get out?
Integration Report 1 (1960)
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Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man
Half Way to Hell (1960)
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Maria San Carlos, the only daughter of a wealthy landowner, is betrothed to Escobar, a General in the Mexican Revolution, but she does not love him. Escobar sends a mixed gang of Americans and Mexicans to capture her and bring her to him. Complications ensue when an American cowboy, who had been hitching a ride with Maria's entourage and has his gold stolen by the gang, pursues them across the desert.
The Wackiest Ship in the Army (1960)
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Lieutenant Rip Crandall is hoodwinked into taking command of the "Wackiest Ship in the Navy" – a real garbage scow with a crew of misfits who don't know a jib from a jigger. What none of them knows, including Crandall, is that this ship has a very important top-secret mission to complete in waters patrolled by the Japanese fleet. Their mission will save hundreds of allied lives – if only they can get there in one piece.
The Music Box Kid (1960)
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A young gangster in 1920's New York quickly rises through the ranks of the mob, then sets up his own murder-for-hire organization. When he starts kidnapping other mobsters for ransom, the New York gangs band together for revenge.
Beyond the Time Barrier (1960)
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In 1960, a pilot testing an experimental rocket powered aircraft accidentally flies into the future and finds himself in a sealed city whose people suspect he is a spy from outside their walls, but who want to keep him to procreate with the ruler's daughter because the majority of the inhabitants are sterile.
Pretty Boy Floyd (1960)
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Trying to shake his troubled past and start a new honest life, Floyd loses his job because of that past. With nowhere to go but back home in Oklahoma he gets news that his father's been murdered and the local sheriff lets the killer off with a self-defense plea. Bent on revenge, Floyd does what he must which leads him down a dark road littered with robbing banks and loose women. Floyd's final days are anything BUT pretty!
Girl In Room 13 (1960)
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A letter summons American detective Steve Marshall to Sao Paulo, Brazil, in search of fugitive murderess Louise Dunning. Marshall contacts Louise and learns that she murdered her husband only in self-defense. In the meantime, Marshall is set up as a pawn in a counterfeiting ring (they were the ones who sent him the letter), and unwittingly helps the police capture the criminals. Louise decides to remain in Brazil.
The World of Suzie Wong (1960)
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A Hong Kong prostitute tries modeling and falls for the artist who's painting her.
Stop! Look! and Laugh! (1960)
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Moe, Larry and Curly appear in short subjects linked by ventriloquist Paul Winchell and his dummies.
It Started in Naples (1960)
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Mike Hamilton, a Philadelphia lawyer, comes to Naples to settle the estate of his long estranged "black sheep" brother. Once there, he discovers that the deceased has left an 8 year old boy who is being raised by Michael's sister-in-law Lucia Curcio. To make matters worse, Lucia happens to be a sexy nightclub dancer.
Key Witness (1960)
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An average Los Angeles citizen witnesses a gang murder when he stops to use a telephone. When he presents himself to the LAPD as the only person willing to identify the culprits, he opens himself up to a campaign of intimidation from the gang involved.
The Cape Canaveral Monsters (1960)
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When a couple are killed in an auto accident their bodies are immediately inhabited by extraterrestrial beings. Taking refuge in an underground cave, the aliens attempt to sabotage the U.S. space program.
Coronation Street (1960)
- Se:65 Ep:3873
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The residents of Coronation Street are ordinary, working-class people, and the show follows them through regular social and family interactions at home, in the workplace, and in their local pub, the Rovers Return Inn. Britain's longest-running soap.
Hideout in the Sun (1960)
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Two brothers rob a bank and take a young girl hostage. They find out that the girl is a nudist, so they force her to take them to a nudist colony so they can hide out.
Route 66 (1960)
- Se:4 Ep:116
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Route 66 is an American TV series in which two young men traveled across America in a Chevrolet Corvette sports car. The show ran weekly on Fridays on CBS from October 7, 1960 to March 20, 1964. It starred Martin Milner as Tod Stiles and, for the first two and a half seasons, George Maharis as Buz Murdock. Maharis was ill for much of the third season, during which time Tod was shown traveling on his own. Tod met Lincoln Case, played by Glenn Corbett, late in the third season, and traveled with him until the end of the fourth and final season. Among the series more notable aspects were the featured Corvette convertible, and the program's
The Andy Griffith Show (1960)
- Se:8 Ep:249
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The Andy Griffith Show is an American sitcom first televised on CBS between October 3, 1960 and April 1, 1968. Andy Griffith portrays the widowed sheriff of the fictional small community of Mayberry, North Carolina. His life is complicated by an inept, but well-meaning deputy, Barney Fife, a spinster aunt and housekeeper, Aunt Bee, and a precocious young son, Opie. Local ne'er-do-wells, bumbling pals, and temperamental girlfriends further complicate his life. Andy Griffith stated in a Today Show interview, with respect to the time period of the show: "Well, though we never said it, and though it was shot in the '60s, it had a feeling of