Top Movies from United States Of America
You’re now browsing page 2563, where our exploration of United States Of America films continues. If you’ve already discovered some standout titles on previous pages, now is the perfect time to delve even deeper and uncover more cinematic treasures. Keep exploring and enjoy the journey!
T'Other Dear Charmer (1918)
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To raise funds for the American effort in The Great War heiress Betty Hallowell decides to lease her beautiful country house to Mrs. Wentworth, a wealthy widow whose son Tom is recuperating from injuries received overseas. When Mrs. Wentworth suddenly demands the services of a maid for the summer, Betty, unable to secure a servant on such short notice, dons a dark wig and poses as "French maid Bettina." Tom and “Bettina” fall in love much to his mother’s dismay but when the deception is finally revealed all ends well.
Max Wants a Divorce (1917)
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Max is forced to choose between losing his newly wedded wife and a fortune. He hits upon a brilliant scheme: He will give his wife grounds for a divorce, secure the money and then make his ex-wife Mrs. Linder again. He goes through any amount of trouble in helping her to get the necessary evidence, only to find that it is all a mistake on the part of a stupid lawyer - the money and the wife are both to be his.
Wolf Lowry (1917)
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William S. Hart was the great solitary Western hero of silent film who rode his horse off to new adventures once his job was done. In WOLF LOWRY, he meets a young settler played by Margery Wilson, herself a director in the early 1920s whose films are all considered lost.
The Immigrant (1917)
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An European immigrant endures a challenging voyage only to get into trouble as soon as he arrives in New York.
The Adventurer (1917)
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The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned. Once he regains his strength at Judge Brown's home, he participates on an upper-class social party where he competes with the suitor for the favors of the charming Miss Brown. But prison guards are still after him…
Coney Island (1917)
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Arbuckle escapes the watch of his domineering wife and heads for Coney Island. Keaton arrives that same day with his attractive, and rather easy, girlfriend, who is immediately stolen from him by St. John.
Easy Street (1917)
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A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the congregation's pianist, in such a way that he tries to improve his life of poverty by becoming a policeman. His first assignment will be to patrol along Easy Street, the turf of a vicious bully and his criminal gang.
'49–'17 (1917)
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A judge who had taken part in the gold rush of 1849 hires an acting troupe to recreate the experience in this rather fanciful silent Western. The make-believe turns serious when a real gold mine is discovered nearby and a local girl is kidnapped by a nasty gambler.
Straight Shooting (1917)
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Cattleman Flint cuts off farmer Sims' water supply. When Sims' son Ted goes for water, one of Flint's men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.
The Butcher Boy (1917)
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Customers and clerks frolic in a general store. Roscoe walks out of the freezer wearing a fur coat, then does some clever cleaver tossing. In Buster's film debut he buys a pail of molasses.
The Cure (1917)
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An alcoholic checks into a health spa and his antics promptly throw the establishment into chaos.
Wild and Woolly (1917)
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A rich Easterner who has always wanted to live in "the Wild West" plans to move to a Western town. Unknown to him, the town's "wild" days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man's fantasy.