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Movies by Albert Lewin

Welcome to our dedicated selection of films directed by Albert Lewin. Here, you can explore a diverse range of works that highlight Albert Lewin’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Albert lewin’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 5 exceptional films by Albert Lewin, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Albert Lewin’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

The Living Idol (1957)

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An archaeologist believes a Mexican woman is the reincarnation of an Aztec princess.

Pandora and the Flying Dutchman (1951)

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Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.

The Private Affairs of Bel Ami (1947)

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A self-serving journalist uses influential women in late-1800s Paris and denies the one who truly loves him.

The Picture of Dorian Gray (1945)

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Posing for a portrait, Dorian Gray talks with Lord Henry Wotton, who says that men should pursue their sensual longings, but laments that only the young get to do so. Taken with the idea, Dorian imagines a scenario in which the painting will age as he stays youthful. His wish comes true, and his boyish looks aid him as he indulges his every whim. But when a stunning revelation forces him to see what he's become, Dorian faces some very dangerous questions.

The Moon and Sixpence (1942)

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Loosely inspired from Gauguin's life, the story of Charles Strickland, a middle-aged stockbrocker who abandons his middle-classed life, his family, his duties to start painting, what he has always wanted to do. He is from now on a awful human being, wholly devoted to his ideal: beauty.