Registration

Movies by Amos Gitai

Welcome to our dedicated selection of films directed by Amos Gitai. Here, you can explore a diverse range of works that highlight Amos Gitai’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Amos gitai’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 8 exceptional films by Amos Gitai, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Amos Gitai’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

Shikun (2024)

  • 0
8.0 587914
8.0 337215

A diverse cross-section of Israeli society converges in a single multi-use building, the Shikun. As people of different languages, origins and generations come together in highly theatrical encounters, they grapple with the current state of affairs. In a poignant metaphor inspired by Eugène Ionesco’s famous play “Rhinoceros”, some begin to turn into rhinoceroses, while others resist.

West of the Jordan River (2018)

  • 0
5.6 587914
5.6 337215

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

Rabin, the Last Day (2015)

  • 0
4.4 587914
4.4 337215

Itzhak Rabin's murder ended all efforts of peace, and with him the whole left wing of Israel died. The movie shows the last of his days as prime minister, and what led to his murder.

To Each His Own Cinema (2007)

  • 1
6.5 587914
6.5 337215

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Free Zone (2005)

  • 0
5.5 587914
5.5 337215

Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.

11’09”01—September 11 (2002)

  • 0
6.4 587914
6.4 337215

Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.

Eden (2001)

  • 0
2.8 587914
2.8 337215

In 1939, Kalman, an ambitious young businessman, leaves Europe to join his sister Samantha in Palestine. She lives with Dov, an idealistic architect obsessed with the Bauhaus style. With their friends, they form a group, which discusses the future Israeli State.

Kadosh (1999)

  • 0
6.3 587914
6.3 337215

The year 2000 approaches in Jerusalem's Orthodox Mea Shearim quarter, where the women work, keep house, and have children so the men can study the Torah and the Talmud. Rivka is happily and passionately married to Meir, but they remain childless. The yeshiva's rabbi, who is Meir's father, wants Meir to divorce Rivka: "a barren woman is no woman." Rivka's sister, Malka, is in love with Yakov, a Jew shunned by the yeshiva as too secular. The rabbi arranges Malka's marriage to Yossef, whose agitation when fulfilling religious duties approaches the grotesque. Can the sisters sort out their hearts' desires within this patriarchal world?