Movies by Arthur Crabtree
Welcome to our dedicated selection of films directed by Arthur Crabtree. Here, you can explore a diverse range of works that highlight Arthur Crabtree’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Arthur crabtree’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Horrors of the Black Museum (1959)
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A writer of murder mysteries finds himself caught up in a string of murders in London.
The Wedding of Lilli Marlene (1953)
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The story leading up to the wedding of Lilli Marlene.
Don't Ever Leave Me (1949)
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Elderly crook Harry Denton, when challenged to prove he is "not past it," decides to kidnap Sheila Farlane, the 16 year old daughter of a famous actor. When Harry loses his nerve, Sheila won't let him give up.
Dear Murderer (1947)
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When a man discovers his wife is having an affair, he commits the perfect crime.
Caravan (1946)
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During the last half of the 19th century writer Richard Darrell saves Don Carlos from two robbers, and is entrusted by Don Carlos to take a valuable necklace to Spain. Richard leaves his fiancé, Oriana, and starts the trip. He meets Wycroft, a henchman for Sir Francis Castteldow, an aristocrat out to steal Oriana from Richard. The latter is assaulted, robbed and nearly killed and, as a result, loses his memory. He marries a gypsy girl, Rosal, while Oriana, thinking him dead marries the dastardly Sir Francis. Everybody will meet again. Complications will arise.
Madonna of the Seven Moons (1945)
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In the early part of this century, Maddelena a teenage Italian girl, is attacked whilst walking in the woods. The attack leaves her mentally scarred and our story flashes forward to the 1940s where Maddelena is still troubled. She disappears one day and her daughter vows to find her.
They Were Sisters (1945)
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The story of three sisters and the men they marry: one is happily married but childless, the second promiscuously escapes an unhappy, loveless marriage, and the third is tortured by the mental cruelties inflicted by a domineering husband.