Movies by Busby Berkeley
Welcome to our dedicated selection of films directed by Busby Berkeley. Here, you can explore a diverse range of works that highlight Busby Berkeley’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Busby berkeley’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Take Me Out to the Ball Game (1949)
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The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. turns outs to be a beautiful woman who really knows her baseball. Second baseman Dennis Ryan promptly falls in love. But his playboy roommate Eddie O'Brien has his own notions about how to treat the new lady owner and some unsavory gamblers have their own ideas about how to handle Eddie.
Romance on the High Seas (1948)
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Georgia Garrett is sent by jealous wife Elvira Kent on an ocean cruise to masquerade as herself while she secretly stays home to catch her husband cheating. Meanwhile equally suspicious husband Michael Kent has sent a private eye on the same cruise to catch his wife cheating. Love and confusion ensues along with plenty of musical numbers.
The Gang's All Here (1943)
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A soldier falls for a chorus girl and then experiences trouble when he is posted to the Pacific.
Girl Crazy (1943)
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Rich kid Danny Churchill has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to be a female for miles. But before Danny arrives, he spies a pair of legs extending out from under a stalled roadster. They belong to the Dean's granddaughter, Ginger Gray, who is more interested in keeping the financially strapped college open than falling for Danny's romantic line. At least at first...
For Me and My Gal (1942)
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Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
We Must Have Music (1942)
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A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
Babes on Broadway (1941)
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Penny Morris and Tommy Williams are both starstruck young teens but nobody seems to give them any chance to perform. Instead, they decide to put up their own show to collect money for a summer camp for the kids.
Ziegfeld Girl (1941)
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Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
Strike Up the Band (1940)
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Jimmy and Mary get a group of kids together to play in a school orchestra. A huge contest between schools is coming up and they have a hard time raising money to go to Chicago for the contest.
Babes in Arms (1939)
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Mickey Moran, son of two vaudeville veterans, decides to put up his own vaudeville show with his girlfriend Patsy Barton. But child actress Rosalie wants to make a comeback and replace Patsy both professionally and as Mickey's girl.
They Made Me a Criminal (1939)
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A boxer flees, believing he has committed a murder while he was drunk.
Men Are Such Fools (1938)
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Linda works at an advertising agency, but, unlike the other women in the secretarial pool, she hopes to succeed in the business rather than just find a husband. She rises through the ranks, becoming a copywriter, and attracts the attention of Jimmy, an amorous coworker who wants to marry her. But Jimmy is jealous of Linda's career and of Harry, a radio executive who works with Linda, and their marriage gets off to a very rough start.
Hollywood Hotel (1938)
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After losing a coveted role in an upcoming film to another actress, screen queen Mona Marshall (Lola Lane) protests by refusing to appear at her current movie's premiere. Her agent discovers struggling actress Virginia Stanton (Rosemary Lane) -- an exact match for Mona -- and sends her to the premiere instead, with young musician Ronnie Bowers (Dick Powell). After various mishaps, including a case of mistaken identity, Ronnie and Virginia struggle to find success in Hollywood.
Gold Diggers of 1935 (1935)
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Romance strikes when a vacationing millionairess and her daughter and son spend their vacation at a posh New England resort.
Bright Lights (1935)
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Husband-and-wife vaudeville stars separate when success goes to his head.
Dames (1934)
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A reformer's daughter wins the lead role in a scandalous Broadway show.
Footlight Parade (1933)
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A fledgling producer finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences.
42nd Street (1933)
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A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.