Movies by Curtis Bernhardt
Welcome to our dedicated selection of films directed by Curtis Bernhardt. Here, you can explore a diverse range of works that highlight Curtis Bernhardt’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Curtis bernhardt’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Kisses for My President (1964)
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A hapless husband takes a back seat to his wife, the first female president of the United States.
Interrupted Melody (1955)
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Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.
Beau Brummell (1954)
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Captain George Bryan Brummell is a British soldier who appreciates fine clothing and innovative dress. Although he initially alienates the Prince of Wales with insulting comments about the prince's uniform designs, he eventually becomes his close confidant. Brummel also falls in love with the beautiful Lady Patricia Belham. However, his outspoken manner eventually leads to his being exiled to France.
Miss Sadie Thompson (1953)
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Sadie Thompson winds up stranded on an island and while her boat is being quarantined, she manages to stir up the blood of every marine on the base.
Sirocco (1951)
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A mysterious American gets mixed up with gunrunners in Syria.
Payment on Demand (1951)
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David gives his wife, Joyce, an unexpected—and unpleasant—surprise when he suddenly demands a divorce. When she then learns that David has taken up with a younger woman, Joyce decides to make the most of this separation by taking a solo trip to the Caribbean. However, just before diving into a vacation fling, she runs into Emily, an old chum whose own divorce has left her embittered. Joyce then debates giving married life one last chance.
Possessed (1947)
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After being found wandering the streets of Los Angeles, a severely catatonic woman tells a doctor the complex story of how she wound up there.
High Wall (1947)
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Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt.
My Reputation (1946)
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Tongues begin to wag when a lonely widow becomes romantically involved with a military man. Problems arise when the gossip is filtered down to her own children.
A Stolen Life (1946)
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A twin takes her deceased sister's place as wife of the man they both love.
Devotion (1946)
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In Victorian England, literary siblings Emily and Charlotte Brontë vie for the affection of the Rev. Arthur Nicholls. Along with their sister Anne, Emily and Charlotte also try to help their tormented brother Branwell, a gifted artist whose life is being destroyed by alcohol.
Conflict (1945)
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Unhappily married Richard Mason concocts a meticulous scheme to kill his shrewish wife so that he'll be free to marry her sister.
Juke Girl (1942)
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During the depths of the Great Depression a hitch-hiker Steve Talbot and jukebox-joint hostess Lola Mears stumble into Cat-Tail Florida where farmers and pickers struggle under the buyer who rules by monopoly, dirty contracts and violence. Steve helps organize against the buyer, leading to further escalation ending in a lynch mob.
My Love Came Back (1940)
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Amelia is a gifted violinist who is in danger of quitting the Brissac Academy of Music. Julius arranges to have a scholarship given to her through his employee Tony so that Julius can escort Amelia to every musical event in the city. The trouble begins when he cannot meet her one night and Tony goes in his place. Tony believes that Julius and Amelia are a couple and then son Paul thinks that Tony and Amelia are a couple as he is sending her the money. The worst part is that Amelia might leave classical music for swing music with classmates Dusty, Joy and the band.