Movies by Eduardo Coutinho
Welcome to our dedicated selection of films directed by Eduardo Coutinho. Here, you can explore a diverse range of works that highlight Eduardo Coutinho’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Eduardo coutinho’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Moscow (2009)
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Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.
O Fim e o Princípio (2006)
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A film that began from zero. Without any previous research, characters, locations or established themes, a film crew arrives at the Paraiba backlands in search of people with stories to tell. In the town of São João do Rio Peixe, they discover the Araçás Farm, a rural community where 86 families live, the majority connected by family ties. Thanks to the mediation of a young woman from Araçás, the residents – consisting mostly of elderly people – tell their life stories, marked by popular Catholicism, hierarchy, a sense of family and honor. A world on the verge of disappearing.
Metalworkers (2004)
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In 1979 and 1980, workers in São Paulo’s metallurgical industry organized a series of strikes that changed the face of union politics in Brazil. In the process, they established the groundwork for Brazil’s Worker’s Party and brought to the national spotlight union leader Luís Inácio Lula da Silva. Metalworkers is a feature-length documentary about the stories of 21 of these workers who took part in these historic strikes but remain in relative anonymity today.
Twenty Years Later (1984)
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Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.