Movies by Erle C. Kenton
Welcome to our dedicated selection of films directed by Erle C. Kenton. Here, you can explore a diverse range of works that highlight Erle C. Kenton’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Erle c. kenton’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
The Cat Creeps (1946)
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A black cat is suspected of being possessed by the spirit of a elderly murdered woman.
House of Dracula (1945)
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A scientist working on cures for rare afflictions, such as a bone softening agent made from molds to allow him to correct the spinal deformity of his nurse, finds the physical causes of lycanthropy in wolf-man Larry Talbot and of vampirism in Count Dracula, but himself becomes afflicted with homicidal madness while exchanging blood with Dracula.
House of Frankenstein (1944)
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Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.
It Ain't Hay (1943)
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Abbot and Costello must find a replacement for a woman's horse they accidentally killed after feeding it some candy. They head for the racetrack, find a look-a-like and take it. They do not realize that the nag is "Tea Biscuit," a champion racehorse.
Who Done It? (1942)
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Two dumb soda jerks dream of writing radio mysteries. When they try to pitch an idea at a radio station, they end up in the middle of a real murder when the station owner is killed during a broadcast.
The Ghost of Frankenstein (1942)
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Frankenstein's unscrupulous colleague, Dr. Bohmer, plans to transplant Ygor's brain so he can rule the world using the monster's body, but the plan goes sour when he turns malevolent and goes on a rampage.
Pardon My Sarong (1942)
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A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
The Lady Objects (1938)
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A former college football hero and his college sweetheart get married. Marital turmoil ensues as her criminal law practice soars while he cannot get his career as an architect off the ground. They separate, and the man begins making extra money by singing in a nightclub. When he is unjustly accused of murder, it is up to his estranged wife to defend him in court.
Devil's Playground (1937)
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A remake of Frank Capra's Submarine (1928), Devil's Playground is a snappy Columbia "B plus" picture starring Richard Dix and Chester Morris. Submarine officers Dorgan (Dix) and Mason (Morris) battle on land for the affections of dance-hall girl Carmen (Dolores del Rio). She marries Dorgan but makes a play for Mason when her husband is on duty. The romantic rivalry is forgotten when Dorgan must rescue Mason and his crew from a sunken sub.
The Public Menace (1935)
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1935 comedy in which an immigrant (Jean Arthur), a reporter (George Murphy) and a gangster (Douglass Dumbrille) cross paths.
Grand Exit (1935)
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A Stumped insurance company is forced to re-hire the most expensive, most big-headed, but best arson investigator to solve a string of major losses.
You're Telling Me! (1934)
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Sam Bisbee is an inventor whose works (e.g., a keyhole finder for drunks) have brought him only poverty. His daughter is in love with the son of the town snob. Events conspire to ruin his bullet-proof tire just as success seems near. Another of his inventions prohibits him from committing suicide, so Sam decides to go on living.
Search for Beauty (1934)
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Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.
Island of Lost Souls (1932)
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An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.
Stranger in Town (1931)
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Crickle is a tenacious small-town grocer who stubbornly resists the efforts of a monopolistic chain-store firm to purchase his establishment. The chain manager retaliates by cutting off Crickles' supply of produce, whereupon his friends and neighbors save his business by supplying him with goods from their own farms.