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Movies by Ernst Hofbauer

Welcome to our dedicated selection of films directed by Ernst Hofbauer. Here, you can explore a diverse range of works that highlight Ernst Hofbauer’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Ernst hofbauer’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 4 exceptional films by Ernst Hofbauer, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Ernst Hofbauer’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

Kara Murat: Kara Şövalyeye Karşı (1975)

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Byzantine Prince kills Kara Murat's father and kidnaps his brother to raise him as the Black Knight to fight against Turks. Years later, Kara Murat has to face the notorious enemy in a mission to save abducted Karaca Pasha of Rumelia.

The Bod Squad (1974)

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Five Western girls are kidnapped by Chinese pirates and sold to a brothel. While they are being trained to become prostitutes, a couple of local citizens take mercy on them and plots their escape by teaching them kung-fu. The five scantily-clad girls, using their newfound martial arts skills then fight their way to freedom.

Secrets of Sweet Sixteen (1973)

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Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.

Further Confessions of a Sixth Form Girl (1971)

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After the big success of the first part the film-makers apparently felt pressured to launch a new "investigation" and gather new material. Therefore, Friedrich von Thun again ventures out into the streets, this time of Berlin, to ask schoolgirls about their sexual experiences. The invinted guests talk about (allegedly) true events. Schoolgirls that seduce their teachers, runaway girls that have been robbed and who have to prostitute themselves or innocent girls that have been drugged and raped...