Movies by Gérard Oury
Welcome to our dedicated selection of films directed by Gérard Oury. Here, you can explore a diverse range of works that highlight Gérard Oury’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Gérard oury’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Levy & Goliath (1987)
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A very faithful Jewish man works making diamond dust in his family's workshop, to sell to industries. One day he goes on businnes trip. In the same train goes a very sexy girl, with some heroin bags (you guess it) very similar to the diamond bags. The police begins to chase the girl, and she hides the drug into the Levy's bag. The girl calls his boss ('Goliath') the situation and he and his band begins to hound Levy, who, by this time, selled the bags to a factory, not knowing the content. He has to get out of the problem with the help of his brother and his God.
Ace of Aces (1982)
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In this action comedy the French boxer Jo Cavalier is charmed on the train to Berlin for the Olympics in Hitler's Germany by the little boy Simon Rosenblum who asks his autograph; when it turns out his adorable young fan is a Jewish orphan in danger of persecution, he risks his one shot at Olympic glory to save Simon and his family, helped only by a German officer-gentleman who became his friend in World War I, by an adventurous escape to Switzerland, Nazi troops on their heals and braving impossible odds in roller coaster-style.
Umbrella Coup (1980)
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Grégoire Lecomte, the unlucky actor anxious to find a "real job", goes to take a screen test for a role of a killer, but gets to mafiosi by mistake. He takes their don for a producer, and they mistake him for a hitman with whom they had an appointment. Deluded Lecomte signs contract with them. He is supposed to kill gun dealer Otto Krampe at his birthday party in Saint-Tropez by piercing him with a cap of the umbrella with a built-in syringe with potassium cyanide. Lecomte is not aware that it has to be a real murder.
The Mad Adventures of Rabbi Jacob (1973)
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In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled
Delusions of Grandeur (1971)
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Don Sallust is the minister of the King of Spain. Being disingenuous, hypocritical, greedy and collecting the taxes for himself, he is hated by the people he oppresses. Accused by The Queen, a beautiful princess Bavarian, of having an illegitimate child to one of her maids of honor, he was stripped of his duties and ordered to retire to a monastery.
The Brain (1969)
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Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.
Don't Look Now... We're Being Shot At! (1966)
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During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
The Sucker (1965)
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In this Frenco-Italian gangster parody, a shop keeper on his way to an Italian holiday suffers a crash which totals his car. The culprit can only compensate his ruined trip by driving an American friends car from Napels to Bordeaux, but as it happens to be filled with such contraband as stolen money, jewelry and drugs, the involuntary and unwitting companions in crime soon attract all but recreational attention from the "milieu".
The Menace (1961)
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Josepha is on the verge eighteen living with her drunken washed up actor uncle. She longs for the companionship of a group of her mo-ped riding peers who dabble in activities on the shady side of a legal dividing line. In order to get the semi-delinquent group to accept her, Josepha runs to the police with a tall tale about the local druggist, Savary. The police are looking for a sex murderer, and Josepha insists Savary is their man. What she does not know, however, can do her considerable damage.