Movies by Guy Green
Welcome to our dedicated selection of films directed by Guy Green. Here, you can explore a diverse range of works that highlight Guy Green’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Guy green’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Once Is Not Enough (1975)
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An over-the-hill movie producer marries a wealthy, spiteful woman and closeted lesbian just to please his spoiled daughter who then, in an attempt to spite him, seduces both a wealthy playboy and a local screenwriter.
Luther (1974)
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One sixteenth-century clergyman's view breaks the Catholic Church apart.
A Walk in the Spring Rain (1970)
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A sophisticated, middle-aged grandmother, wed to a New York law professor, falls in love with a down-to-earth Tennessee farmer.
The Magus (1968)
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A teacher on a Greek island becomes involved in bizarre mind-games with the island's magus (magician) and a beautiful young woman.
A Patch of Blue (1965)
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A blind, uneducated white girl is befriended by a black man, who becomes determined to help her escape her impoverished and abusive home life.
Light in the Piazza (1962)
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A young American woman traveling in Italy with her mother is slender, blonde, beautiful and there is something charmingly naive about her. Fabrizio Naccarelli seems to always know where the mother and daughter will sightsee next. Signor Naccarelli is just as concerned about where this will lead as Mrs. Johnson is. Then she starts thinking that perhaps her daughter can be a wife of a wealthy young man in a society where all she has to do is look beautiful. What happens if Signor Naccarelli finds out who his prospective daughter-in-law really is?
Diamond Head (1962)
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Rich Hawaiian pineapple grower and US Senatorial candidate Richard Howland tries to control everything and everyone around him, including his headstrong sister, Slone.
Light in the Piazza (1962)
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A young American woman traveling in Italy with her mother is slender, blonde, beautiful and there is something charmingly naive about her. Fabrizio Naccarelli seems to always know where the mother and daughter will sightsee next. Signor Naccarelli is just as concerned about where this will lead as Mrs. Johnson is. Then she starts thinking that perhaps her daughter can be a wife of a wealthy young man in a society where all she has to do is look beautiful. What happens if Signor Naccarelli finds out who his prospective daughter-in-law really is?
The Mark (1961)
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A man who served prison time for intent to molest a child tries to build a new life with the help of a sympathetic psychiatrist.
The Angry Silence (1960)
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When the union in his factory walks out on strike, a family man refuses to participate, risking the wrath — and retaliation — of his fellow workers.
SOS Pacific (1959)
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A flying boat has to ditch off an island in the Pacific. Along with the injured owner-pilot the passengers include a policeman and his smuggler prisoner, a slimey limey witness against him, a physicist, and a globe-hopping good-time girl. On the island they find a fleet of derelict ships, farm animals tethered, and cameras in a lead-lined bunker and a stark realisation soon dawns.
The Snorkel (1958)
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On the Italian coast, writer Paul Decker has grown unhappy in his marriage and executes what appears to be a perfect murder of his wife. While Paul is believed to be writing a book in France, his stepdaughter, Candy, suspects him of murdering her mother, as well as her father years before. With the police unwilling to investigate any further, Candy sets out to confirm her suspicions and take Paul down herself.
Sea of Sand (1958)
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A small British army team is sent deep behind enemy lines to destroy a German petrol dump as part of the preparation for a major attack in the North African campaign. Sea of Sand was distributed in the US in a shortened version, Desert Patrol.
House of Secrets (1956)
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Police in Paris recruit an English ship's officer (Michael Craig) to help trap counterfeiters by joining them.
Portrait of Alison (1955)
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An actress and an artist are linked by his brother to deadly smugglers sought by Scotland Yard.
River Beat (1954)
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British diamond smugglers use the radiowoman (Phyllis Kirk) from a freighter docked on the Thames to unwittingly "mule" their swag, hidden in cigarettes, past customs, not knowing that she has befriended an Inspector for the Thames River Patrol.