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Movies by Harry Beaumont

Welcome to our dedicated selection of films directed by Harry Beaumont. Here, you can explore a diverse range of works that highlight Harry Beaumont’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Harry beaumont’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 15 exceptional films by Harry Beaumont, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Harry Beaumont’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

Undercover Maisie (1947)

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Maisie Revere, a showgirl stranded in Los Angeles, decides to join the local police department on the persuasion of Lieutenant Paul Scott who wants to use her as an undercover agent to expose a conman.

Up Goes Maisie (1946)

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A showgirl working for an inventor battles crooks, who want to steal his ideas.

Maisie Goes to Reno (1944)

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A Brooklyn showgirl gets mixed up in a divorce between a soldier and his wife.

Enchanted April (1935)

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Mrs. Lotty Wilkins is an unhappily wife whom's life husband and romance have departed. In order to possibly salvage some of the missing elements in her life she rents an old Italian mansion and sharing it with three women. Here the four women plan to spend the month of April away from the cares of home, husbands and the everyday monotony.

Faithless (1932)

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Socialite Carol Morgan romps through the Depression and her wealth while breaking up with Bill Wade and getting back together with him.

Are You Listening? (1932)

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WBLA is on the air, presenting the live music, the sudsy dramas and the sell-sell-sell of commercial interludes that keep consumers buying and sponsors smiling. But one sponsor, a producer of plumbing supplies, isn’t happy. So WBLA scriptwriter Bill Grimes is bounced from his job, setting in motion this movie’s turn from comedic to darkly tragic. William Haines, two years removed from being Tinseltown’s top male star, plays Grimes in a melodrama noted for its glimpses of live radio production and for a Depression-era ethos that includes peroxide cuties eager to land a job, a sugar daddy or both.

Unashamed (1932)

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A debutante's (Helen Twelvetrees) brother (Robert Young) stands trial for killing her no-good lover.

Laughing Sinners (1931)

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Ivy Stevens is a cafe entertainer in love with a shifty salesman who deserts her. In attempting to commit suicide, she is saved by Carl, a Salvation Army officer. Encouraged by Carl, Ivy joins the Salvation Army. When her old flame re-enters her life, Ivy finds she is still attracted and begins another affair with him.

West of Broadway (1931)

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A wealthy soldier returns home after WWI, discovers his socialite fiancee no longer wants to marry him, and weds an admitted gold-digger he's just met after a night of drinking and partying.

Dance, Fools, Dance (1931)

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When misfortune hits hard on the Jordan family of Chicago's upper class, Bonnie Jordan, a dazzling and witty girl, finds a job as an aspiring reporter; however, his naive younger brother Rodney takes a twisted path and gets involved with the wrong people.

Our Blushing Brides (1930)

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Jerry, Connie, and Franky are small-town girls seeking wealthy husbands in New York City. But, while Connie and Franky are reckless with their affections — one bedding a married man and the other marrying a scoundrel — Jerry is determined to remain practical. As she mothers her wounded, heartbroken friends, she stalwartly but foolishly resists the advances of the good-hearted and affluent Tony Jardine.

The Florodora Girl (1930)

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A chorus girl gets bad advice from her fellow chorines in handling a rich suitor who assumes she is a gold digger.

The Broadway Melody (1929)

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The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

Speedway (1929)

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Bill Whipple is a happy-go-lucky mechanic for MacDonald who thinks that he is the worlds greatest driver and lover. Mac has treated Bill like a son since he took him in. One day at the track, Bill sees Pat Bannon, and tries his best to impress her, but to no avail. On his way to catch a flight, he tricks Pat into taking him to the airport and she gets even by taking him up in a plane. He hates to fly, but will not show her that he is afraid and when the plane breaks up, he is a hero for rescuing her. This gets him publicity and Renny offers him his car to drive in the Indianapolis 500. Bill breaks with Mac to drive the car and puts it on the

Our Dancing Daughters (1928)

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A flapper who's secretly a good girl and a gold-digging floozy masquerading as an ingénue both vie for the hand of a millionaire.