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Movies by Henri-Georges Clouzot

Welcome to our dedicated selection of films directed by Henri-Georges Clouzot. Here, you can explore a diverse range of works that highlight Henri-Georges Clouzot’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Henri-georges clouzot’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 10 exceptional films by Henri-Georges Clouzot, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Henri-Georges Clouzot’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

Woman in Chains (1968)

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Gallery director Stanislas bolsters the development of modern art with his collection of surprising works. His newest acquisition is a sculpture by Gilbert, whose wife Josée is captivated by Stanislas. But unbeknownst to her, Stanislas is amassing photographs of a very perverse, disturbed nature.

The Truth (1960)

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As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

The Spies (1957)

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A doctor at a run-down psychiatric hospital is offered a large sum of money to shelter a new patient. Soon the place is full of suspicious and secretive characters, all apparently international secret agents trying to find out who and what the patient is.

The Mystery of Picasso (1956)

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Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete.

Diabolique (1955)

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The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo -- his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.

The Wages of Fear (1953)

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In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

Manon (1949)

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Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

Le Corbeau (1943)

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Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets.

The Murderer Lives at Number 21 (1942)

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Paris, France. Commissaire Wens follows the lead of a ruthless murderer to an unexpected place.

The Terror of Batignolles (1931)

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An expressionist comedy greatly influenced by German Expressionism set in a bohemian enclave of northern Paris, which Clouzot made shortly before he served as assistant director to Anatole Litvak and E.A. Dupont and began scripting French versions of German films at Berlin’s UFA studios.