Movies by Jean Renoir
Welcome to our dedicated selection of films directed by Jean Renoir. Here, you can explore a diverse range of works that highlight Jean Renoir’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Jean renoir’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
The Elusive Corporal (1962)
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The story serves as a companion piece to Renoir's 1937 film, Grand Illusion, once more bringing together men from across the broad social spectrum of French society to depict one man's Sisyphean efforts to escape captivity in a German POW camp.
Experiment in Evil (1960)
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Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.
Picnic on the Grass (1959)
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Etienne Alexis, a candidate for president of the new Europe, is a scientist promoting artificial insemination for social betterment and therapy to eliminate passion. To celebrate his engagement to a cousin, he hosts an aseptic picnic, where mother nature asserts herself. A shepherd's flute conjures a windstorm that throws Alexis together with the luscious Nénette, a farm lass who wants to have a baby but is unimpressed with men.
Elena and Her Men (1956)
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Set amid the military maneuvers and Quatorze Juillet carnivals of turn-of-the-century France, Jean Renoir’s delirious romantic comedy Elena and her Men stars a radiant Ingrid Bergman as a beautiful, but impoverished, Polish princess who drives men of all stations to fits of desperate love. When Elena elicits the fascination of a famous general, she finds herself at the center of romantic machinations and political scheming, with the hearts of several men—as well as the future of France—in her hands.
French Cancan (1954)
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Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
French Cancan (1954)
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Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.
The Golden Coach (1952)
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A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 18th-century Peru.
The River (1951)
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Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
The Woman on the Beach (1947)
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A sailor suffering from post-traumatic stress becomes involved with a beautiful and enigmatic seductress married to a blind painter.
The Diary of a Chambermaid (1946)
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Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will
The Southerner (1945)
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Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor. Can they make it as farmers?
This Land Is Mine (1943)
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Somewhere in Europe, in a city occupied by the Nazis, a gentle school teacher finds himself torn between collaboration and resistance, cowardice and courage.
The Rules of the Game (1939)
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A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
La Marseillaise (1938)
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A film about the early part of the French Revolution, shown from the eyes of the citizens of Marseille, counts in German exile and, of course, the king Louis XVI, each showing their own small problems.
Grand Illusion (1937)
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A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
The Crime of Monsieur Lange (1936)
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A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police's description: his name is Amedee Lange, and he murdered somebody in Paris. Lange was an employee in a printing works. His boss was a real bastard, swindling every one, seducing female workers... One day he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. What then made Lange a killer?
The Lower Depths (1936)
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Inhabitants of a flophouse struggle to survive under the harsh treatment imposed by the landlord, Kostyleva. One resident, young thief Wasska Pepel, ends his affair with the landlord's wife, Vassilissa, and takes up with her sister, Natacha. Pepel also befriends the baron, a former nobleman fallen on hard times, but Pepel's attempts at happiness are complicated when he's accused of murder by a spiteful Vassilissa.