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Movies by Jerzy Skolimowski

Welcome to our dedicated selection of films directed by Jerzy Skolimowski. Here, you can explore a diverse range of works that highlight Jerzy Skolimowski’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Jerzy skolimowski’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 13 exceptional films by Jerzy Skolimowski, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Jerzy Skolimowski’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

EO (2022)

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The world is a mysterious place when seen through the eyes of an animal. EO, a grey donkey with melancholic eyes, meets good and bad people on his life’s path, experiences joy and pain, endures the wheel of fortune randomly turn his luck into disaster and his despair into unexpected bliss. But not even for a moment does he lose his innocence.

11 Minutes (2015)

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The lives of urbanites intertwine in a world where anything can happen at any time.

Essential Killing (2010)

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A Taliban soldier struggles to survive after he escapes his captors and flees into the Polish countryside.

The Lightship (1985)

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A trio of robbers, two brothers and their twisted genius leader, invade a lightship, but don't reckon on the crew fighting back.

Hands Up! (1985)

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The reunion of a group of former medical students results in a flood of bitter memories.

Success Is the Best Revenge (1984)

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Poland is under Communist rule. An exiled Polish theater director is in England, enthusiastically preparing an abstract play which will criticize the authoritarian Polish government. His sons might not share his political views, though.

Moonlighting (1982)

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A Polish contractor, Nowak, leads a group of workmen to London so they can provide cheap labor for a government official based there. Nowak has to manage the project and the men as they encounter the tempations of the West and loneliness and separation from their families. Nowak is the only one of the group who speaks English, and he uses this as a tool over his team. When the unrest in Poland leads to a military takeover, Nowak is faced with a much more difficult situation than he expected.

The Shout (1978)

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A traveller by the name of Crossley forces himself upon a musician and his wife in a lonely part of Devon, and uses the aboriginal magic he has learned to displace his host.

The Adventures of Gerard (1970)

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Based on satirical short stories by Sir Arthur Conan Doyle about a vain, egotistical Etienne Gerard, a French brigadier serving during the Napoleonic Wars. He thinks he's the best soldier and lover that ever lived and intends to prove it.

Deep End (1970)

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London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.

The Departure (1967)

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A young Belgian car nut and hairdresser's apprentice attempts to get a Porsche by all means for his nearing debut race and meets a girl in the same time.

Identification Marks: None (1965)

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The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara

Walkover (1965)

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Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.