Movies by Joe May
Welcome to our dedicated selection of films directed by Joe May. Here, you can explore a diverse range of works that highlight Joe May’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Joe may’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Johnny Doesn't Live Here Anymore (1944)
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A young girl rents an apartment from a man who has recently enlisted in the Marines. The trouble is that he's given out keys to a half-dozen of his friends, and they all keep dropping in.
The Invisible Man Returns (1940)
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The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
The House of the Seven Gables (1940)
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In 1828, the bankrupt Pyncheon family fight over Seven Gables, the ancestral mansion. To obtain the house, Jaffrey Pyncheon obtains his brother Clifford's false conviction for murder. Hepzibah, Clifford's sweet fiancée, patiently waits twenty years for his release, whereupon Clifford and his former cellmate, abolitionist Matthew, have a certain scheme in mind.
Confession (1937)
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Vera Kowalska is put on trial for murdering concert pianist Michael Michailow. In court it is revealed that some years earlier Michael ruined Vera's life.
Asphalt (1929)
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One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.
The Indian Tomb, Part I: The Mission of the Yoghi (1921)
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Ayan, Maharajah of Eschnapur, believes that his wife, Princess Savitri, has been unfaithful to him with officer Mac Allan. He decides to bury her alive, so he sends the Yogi Ramigani to England to look for Herbert Rowland, an architect; but when he orders him to build a tomb, Rowland refuses.
The Indian Tomb, Part II: The Tiger of Eschnapur (1921)
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Rowland falls sick with leprosy while Mac Allan is captured by the Maharajah, who offers Irene a deal: one night with him in exchange for letting Rowland to be cured. She accepts, but tries to commit suicide.