Movies by King Hu
Welcome to our dedicated selection of films directed by King Hu. Here, you can explore a diverse range of works that highlight King Hu’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering King hu’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Painted Skin (1993)
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When an amorously inclined young man runs across an attractive young woman in need of his help, it's not difficult for him to rush to her aid while imagining himself in her arms. Though he's married, he retains a strong desire to bed any pretty woman in sight. To his shock, he discovers later that the pretty woman he fantasized about is a ghost.
Swordsman (1990)
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When a scroll containing valuable martial arts secrets is stolen from the Emperor, an army detachment is sent to recover it. It is based on the novel The Smiling, Proud Wanderer by Jinyong.
The Wheel of Life (1983)
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Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.
Raining in the Mountain (1979)
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In Ming Dynasty China, the abbot of the San Pao Buddhist monastery must choose a successor. Among the high dignitaries invited, there are some who are after the priceless parchment kept in the temple: the Mahayana Sutras.
Legend of the Mountain (1979)
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A traveling scholar, intent on translating a Buddhist sutra that is said to have power over the creatures of the afterlife. He slowly finds himself entangled in a mysterious plot involving witchcraft, demons, and a battle to preserve his own soul from the attacks of the supernatural underworld.
The Valiant Ones (1975)
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A righteous husband-and-wife swordfighting duo struggle to protect China from the machinations of Japanese pirates and corrupt officials.
The Fate of Lee Khan (1973)
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Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.
A Touch of Zen (1970)
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Ku Shen Chai, an artist in his early 30s, still lives with his mother, but he is suddenly shaken by the arrival of Yang Hui-ching, a mysterious princess on the run. Yang brings Ku into her circle of protectors, including a nameless monk whose spiritual guidance transforms him into a valiant fighter.
Four Moods (1970)
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Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore
Dragon Inn (1967)
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China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.
Come Drink with Me (1966)
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Golden Swallow is a fighter-for-hire who has been contracted by the local government to retrieve the governor's kidnapped son. Holding him is a group of rebels who are demanding that their leader be released from prison in return for the captured son. After a brief encounter with the gang at a local restaurant, Golden Swallow is joined by an inebriated wanderer Drunken Cat who aids her in her mission.