Movies by Kon Ichikawa
You are now browsing page 2, where we continue to showcase more remarkable films by Kon Ichikawa. If you’ve already sampled some standout titles on previous pages, it’s the perfect time to discover even more noteworthy productions. Keep exploring and enjoy your cinematic adventure!
Bonchi (1960)
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Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.
Fires on the Plain (1959)
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In the closing days of WWII, a Japanese soldier afflicted with tuberculosis is abandoned by his company and left to wander the Philippine island of Leyte.
The Burmese Harp (1956)
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In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.
Bridge of Japan (1956)
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Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if
Mr. Pu (1953)
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A math teacher loses his job while falling in love with a local girl.
365 Nights (1948)
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A young man rents an apartment in Tokyo and discover it was built by his father. He falls in love with the daughter of the mistress of the house and decides to marry her. Only to discover that his father is is in debt and wants him to marry Ranko so that she may help his company by granting 1.5 million yen. Teruko decides to borrow money from a greedy bar owner who lends her money on certain conditions and photographs her without her consent. A love traingle forms between Koroku, Ranko, and Teruko. Things complicate when Koroku marries Teruko and Tsugawa threatens them for the money causing many twists and turns.