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Movies by Madeline Anderson

Welcome to our dedicated selection of films directed by Madeline Anderson. Here, you can explore a diverse range of works that highlight Madeline Anderson’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Madeline anderson’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 2 exceptional films by Madeline Anderson, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Madeline Anderson’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

I Am Somebody (1970)

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6.6 587914
6.6 337215

Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they

Integration Report 1 (1960)

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7.7 587914
7.7 337215

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man