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Movies by Masahiro Shinoda

Welcome to our dedicated selection of films directed by Masahiro Shinoda. Here, you can explore a diverse range of works that highlight Masahiro Shinoda’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Masahiro shinoda’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 15 exceptional films by Masahiro Shinoda, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Masahiro Shinoda’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

Moonlight Serenade (1997)

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After the 1995 Kobe earthquake, a writer remembers travelling with his family to bury his brother after World War II.

Sharaku (1995)

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A crippled kabuki player is taken into a strolling company of itinerant actors. An influential publisher notices his honest, bold drawings, and nurtures him despite persecution and betrayal. The film explores the eternal relationship between artist and producer, and describes the emanicipation of a man who refuses to let himself become the plaything of power and money.

Demon Pond (1979)

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When a lone traveler stumbles upon a remote, drought-stricken village, he finds himself engulfed in a whirlpool of myth, mystery, and magic: in a nearby pond reside spirits who hold the fate of the town’s inhabitants, including lovers Akira and Yuri, in their hands.

Ballad of Orin (1977)

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A blind traveling musician is abused and oppressed wherever she goes, even as the modern world imposes change around her.

Himiko (1974)

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The myth of the Sun Goddess who founded Japanese society is seen through the lens of a modern view of history.

The Petrified Forest (1973)

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Follows a young med student's relationships with two women: a dangerous affair with a childhood friend and his mother's struggle to rebuild their estranged relationship.

Sapporo Winter Olympics (1972)

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A documentary about the 1972 Winter Olympic Games in Sapporo, Japan.

Double Suicide (1969)

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Successful and married with children, paper-mill owner Jihei knows better than to contradict the strict social and moral codes of 18th-century Japan. But when he meets the lovely courtesan Koharu, he becomes a man obsessed. Koharu returns his love, even foregoing other customers while Jihei schemes to somehow buy her freedom. His efforts yield ruinous consequences for his business and his family life, and Koharu is meanwhile purchased by another client.

Captive's Island (1966)

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Seeking revenge against the guard who tormented him, a young man returns to the island where he was imprisoned in reform school. But his plans for vengeance are disturbed when he encounters a strange and beautiful young woman

With Beauty and Sorrow (1965)

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When the man who seduced the famous painter Otoko as a teenager--and then wrote a bestselling novel about it--reappears in her life, her pupil--and lesbian lover--hatches a plot to destroy the man and his family.

Pale Flower (1964)

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A gangster gets released from prison and has to cope with the recent shifts of power between the gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.

Our Marriage (1962)

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When two sisters fall in love with the same man, one must decide to look elsewhere.

A Flame at the Pier (1962)

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A young dockworker who owes his life to his boss becomes embroiled in union activity on the Yokohama waterfront. The rebel Saburo works as an errand boy for a shipping company and vents his frustrations by plucking on the guitar.

Love New and Old (1961)

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A woman brings her injured daughter to the hospital, only to realize that the doctor is the estranged father of her child.

Youth in Fury (1960)

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A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku's iconoclastic New Wave. At the height of student protests, Shimojo takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.