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Movies by Paul Strand

Welcome to our dedicated selection of films directed by Paul Strand. Here, you can explore a diverse range of works that highlight Paul Strand’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Paul strand’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 2 exceptional films by Paul Strand, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Paul Strand’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

Native Land (1942)

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By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.

Manhatta (1921)

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Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.