Movies by Peter Tscherkassky
Welcome to our dedicated selection of films directed by Peter Tscherkassky. Here, you can explore a diverse range of works that highlight Peter Tscherkassky’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Peter tscherkassky’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Outer Space (1999)
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A young woman move towards a house that holds a potentially dangerous spirit that has been tormenting her. The woman tries to fight against the film itself as it starts to cause the world to collapse.
The Arrival (1999)
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The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.
Get Ready (1999)
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A propulsively jittering journey through the cinematic imaginary using glitchy found footage and jacked-up cyber sounds, Get Ready hits the highway hard and takes us with it. A car crash? An escape? This turbo-charged condensation of cinematic moods and tropes makes much of its tiny run-time.
Manufractur (1985)
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A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative space, discharged from all semantic burden. What remains is a self-sufficient swarm of splinters, fleeting vectors of lost direction, furrowed with the traces of the manual process of production.
Miniatures: Many Berlin Artists in Hoisdorf (1983)
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On a weekend in June 1983, in what was deemed a "country outing,“ an impressive number of artists from Berlin went to a small village in Schleswig-Holstein; their intention was to give the local residents a taste of Berlin’s avant-garde art. This event included presentations of dance, music, performance art, painting, land art and film. Back in Berlin the footage was manipulated in several ways to produce an “experimental examination.” —independent film and video database