Movies by Spike Lee
You are now browsing page 3, where we continue to showcase more remarkable films by Spike Lee. If you’ve already sampled some standout titles on previous pages, it’s the perfect time to discover even more noteworthy productions. Keep exploring and enjoy your cinematic adventure!
Crooklyn (1994)
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From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.
Malcolm X (1992)
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A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.
Jungle Fever (1991)
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A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse.
Mo' Better Blues (1990)
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Talented but self-centered trumpeter Bleek Gilliam is obsessed with his music and indecisiveness about his girlfriends Indigo and Clarke. But when he is forced to come to the aid of his manager and childhood friend, Bleek finds his world more fragile than he ever imagined.
Do the Right Thing (1989)
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Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
School Daze (1988)
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Fraternity and sorority members clash with other students at a historically black college during homecoming weekend.
She's Gotta Have It (1986)
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The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.