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Movies by Terry Jones

Welcome to our dedicated selection of films directed by Terry Jones. Here, you can explore a diverse range of works that highlight Terry Jones’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Terry jones’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 8 exceptional films by Terry Jones, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Terry Jones’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

Boom Bust Boom (2015)

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Terry Jones presents Boom Bust Boom. The result of a meeting between writer, director, historian and Python Terry Jones and economics professor and entrepreneur Theo Kocken. Co-written by Jones and Kocken and featuring John Cusack, Nobel Prize winners Daniel Kahneman, Robert J Shiller and Paul Krugman, the film is part of a global movement to change the economic system through education to protect the world from boom and bust. A unique look at why economic crashes happen, Boom Bust Boom is a multimedia documentary combining live action with animation and puppetry to explain economics to everyone.

Absolutely Anything (2015)

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Eccentric aliens give a man the power to do anything he wants to determine if Earth is worth saving.

The Wind in the Willows (1996)

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Jailed for his reckless driving, rambunctious Mr. Toad has to escape from prison when his beloved Toad Hall comes under threat from the wily weasels, who plan to build a dog food factory on the very meadow sold to them by Toad himself.

Erik the Viking (1989)

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Erik the Viking gathers warriors from his village and sets out on a dangerous journey to Valhalla, to ask the gods to end the Age of Ragnorok and allow his people to see sunlight again. A Pythonesque satire of Viking life.

Personal Services (1987)

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The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter as the down-at-heel waitress who, with the help of prostitute Shirley and cross-dressing Wing Commander Morten, seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it's fair to say that the presiding

Monty Python's The Meaning of Life (1983)

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Life's questions are 'answered' in a series of outrageous vignettes, beginning with a staid London insurance company which transforms before our eyes into a pirate ship. Then there's the National Health doctors who try to claim a healthy liver from a still-living donor. The world's most voracious glutton brings the art of vomiting to new heights before his spectacular demise.

Life of Brian (1979)

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Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.

Monty Python and the Holy Grail (1975)

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King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".