Movies by Walerian Borowczyk
Welcome to our dedicated selection of films directed by Walerian Borowczyk. Here, you can explore a diverse range of works that highlight Walerian Borowczyk’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Walerian borowczyk’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.
Love Rites (1987)
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Hugo, a vain clothing buyer, meets Myriam on a train and pursues a relationship with her. He is delighted to learn she is a prostitute and has no idea she has more in mind than Hugo bargained for.
The Strange Case of Dr. Jekyll and Miss Osbourne (1981)
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In 19th century London, a sex maniac sneaks into the engagement party of Dr. Henry Jekyll and Miss Fanny Osbourne, turning the event into a nightmarish whirlpool of murder and debauchery
Immoral Women (1979)
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The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a
Behind Convent Walls (1978)
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A zealous, handsome priest, who is the confessor for a convent full of women, encourages the equally zealous abbess of the institution to enforce strict rules on these unfortunate women. At the same time, a particularly disturbed nun manages to poison herself and many of the other novitiates in yet another scandal which is covered up by church authorities.
The Margin (1976)
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A businessman leaves his country home, and wife and young son for a business trip to Paris. While there he develops a sexual and spiritual bond with a call girl.
The Story of Sin (1975)
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A beautiful Polish girl whose lover has gone to Rome to seek a divorce from his previous wife travels around Europe in search of him and suffers a variety of tragic adventures as the men around her try to fit her into their own selfish schemes.
Letter from Paris (1975)
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Paris is a monstrously inhuman cityscape, in which cars, buses, crowds, and unceasing noise combine to smother any decent and delicate human activity. People and flowers attempt to survive in a city that seems ready to explode from an over-heated mixture of traffic and noise.
The Beast (1975)
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The head of a failing French family thinks that fate has smiled down on him when the daughter of a wealthy man agrees to be married to his son. The daughter and her aunt then travel out to the French countryside to meet with the family, unaware that a mysterious 'beast' is stalking the vicinity.
Immoral Tales (1974)
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Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
Blanche (1972)
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Blanche is the young, pure, beautiful wife of the Master of the castle, in a secluded land. Every man is in love with her, including the King and his servant Bartolomeo, visiting the Master.
The Phonograph (1969)
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An old phonograph assembles itself, plays songs on wax drums before self destructing. In many ways The Phonograph is a companion piece to Renaissance, there is nevertheless something quietly affecting about Borowczyk’s final ‘object’ animation.
Goto, Island of Love (1969)
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A petty thief works his way up the absurd hierarchy of Goto, an archipelago cut off from civilisation by a tumultuous earthquake. His dream is to possess Glossia, a stifled beauty trapped in a loveless marriage to a melancholic dictator.
Theatre of Mr. and Mrs. Kabal (1967)
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"Theatre of Mr. and Mrs. Kabal" is Walerian Borowczyk’s first feature-length film and his last animated film. It consists of a sequence of loosely connected scenes, much like a vaudeville program, in which Mr. and Mrs. Kabal perform absurd, surreal, and sometimes cruel acts.
The Games of Angels (1967)
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Animated short. Abstract forms in a setting evocative of a concentration camp created by the universe. Based on a series of paintings by the Polish artists and filmmaker Walerian Borowczyk, Les Jeux des Anges takes the viewer into a nightmarish and sinister labyrinth world. With images reminiscent of Bosch and Ernst and an abstract soundtrack the film evoke unspeakable horrors lurking at the heart Borowczyk's masterpiece. Borowczyk described the film himself as "A report on the city of angels."
The Concert (1967)
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A short film by Walerian Borowczyk. Ostensibly a film of a concert given by the round, unassuming Monsieur Kabal and his spiky, terrifying wife, it's actually a cover for their frequent attempts at causing each other extreme physical harm.
Renaissance (1967)
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To the sound of trumpets, a collection of pulverised antique bric-a-brac begins to reassemble itself, revealing a stuffed owl, a cornet, a hamper, books, a doll, a plate – and a bomb...
The Astronauts (1959)
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An inventor builds a homemade spacecraft, and uses it to have various adventures, including peeping at women, visiting ‘human’ planets, and becoming involved in intergalactic warfare.
School (1958)
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Animated photographs (made with Jan Lenica) with elements of animated cartoon. A display of military drill.