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Movies by Walter Salles

Welcome to our dedicated selection of films directed by Walter Salles. Here, you can explore a diverse range of works that highlight Walter Salles’s unique vision, storytelling style, and contribution to the world of cinema. Whether you’re an avid fan or discovering Walter salles’s filmography for the first time, this collection will guide you through critically acclaimed masterpieces, hidden gems, and influential titles that have shaped the director’s legacy.

Our catalog, currently featuring 10 exceptional films by Walter Salles, is regularly updated to bring you both timeless classics and recent releases. Dive into detailed descriptions, ratings, and reviews to find the perfect movie for a night of cinephile delight. Immerse yourself in the distinctive atmosphere, visual artistry, and narrative depth that define Walter Salles’s directorial approach, and enjoy an unforgettable journey into the heart of cinematic excellence.

I’m Still Here (2024)

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In the early 1970s, the military dictatorship in Brazil reaches its height. The Paiva family - Rubens, Eunice, and their five children - live in a beachside house in Rio, open to all their friends. One day, Rubens is taken for questioning and does not return.

Jia Zhangke, A Guy from Fenyang (2014)

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Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.

On the Road (2012)

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Dean and Sal are the portrait of the Beat Generation. Their search for "It" results in a fast paced, energetic roller coaster ride with highs and lows throughout the U.S.

To Each His Own Cinema (2007)

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Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Paris Je T'aime (2006)

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Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

Dark Water (2005)

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Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…

The Motorcycle Diaries (2004)

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Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

Behind the Sun (2001)

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Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the twenty years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny travelling circus passes through the vast badlands where Tonho's family lives.

Central Station (1998)

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An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

Socorro Nobre (1995)

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When the inmate Maria do Socorro Nobre reads an article about the Polish artist Franz Krajcberg in Veja magazine, she decides to write a letter to him. Socorro was sentenced to more than twenty-one years in a prison for women in Salvador, Bahia, while Franz is a tormented artist that lost his family and lived his childhood in a ghetto in Poland but survived the Holocaust. Franz moved to Brazil and recovered life wish living close to nature and inspires Socorro to dream with life again.