Top 100 African American movies
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227 (1985)
- Se:5 Ep:116
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A housewife sits on the stoop of her apartment building in a black neighborhood of Washington, D.C., and discusses all manner of things with her neighbors.
The Deadly Art of Survival (1979)
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Real-life kung fu master Nathan Ingram stars in this gritty, low-budget martial arts epic as a local karate school owner who clashes with a gang of drug traffickers posing as the owners of a rival dojo. Director Charlie Ahearn (who helmed the landmark hip-hop film Wild Style) used the housing projects next to his New York Lower East Side apartment as his central location in this 1979 classic, shot on a vintage Super 8 camera.
The Wiz (1978)
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Dorothy Gale, a shy kindergarten teacher, is swept away to the magic land of Oz where she embarks on a quest to return home.
Diff'rent Strokes (1978)
- Se:8 Ep:189
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The series stars Gary Coleman and Todd Bridges as Arnold and Willis Jackson, two African American boys from Harlem who are taken in by a rich white Park Avenue businessman named Phillip Drummond and his daughter Kimberly, for whom their deceased mother previously worked. During the first season and first half of the second season, Charlotte Rae also starred as the Drummonds' housekeeper, Mrs. Garrett.
100 Rifles (1969)
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When half-breed Indian Yaqui Joe robs an Arizona bank, he is pursued by dogged lawman Lyedecker. Fleeing to Mexico, Joe is imprisoned by General Verdugo, who is waging a war against the Yaqui Indians. When Lyedecker attempts to intervene, he is thrown into prison as well. Working together, the two escape and take refuge in the hills, where Lyedecker meets beautiful Yaqui freedom fighter Sarita and begins to question his allegiances.
Nothing But a Man (1964)
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A proud black man and his school-teacher wife face discriminatory challenges in 1960s America.
The Exile (1931)
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An idealistic young man is torn between a sultry Chicago nightclub owner and a Scottish South Dakotan farmgirl.
The Scar of Shame (1929)
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An educated, upscale young black musician marries a woman from a lower socioeconomic class to get her out of the clutches of her stepfather.