Top 100 Based On Play Or Musical movies
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New Faces (1954)
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New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers
Carmen Jones (1954)
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Carmen, a seductive woman, seduces a young soldier, Joe, in order to avoid imprisonment. However, when she leaves Joe for another man, he seeks revenge.
Kiss Me Kate (1953)
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A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
Cosh Boy (1953)
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Roy Walsh is a brash and enterprising thug who bullies his friends into subservience. He and his gang assault and rob people on the street, but things get increasingly dangerous when their behavior escalates to larger crimes.
Stalag 17 (1953)
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It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Come Back, Little Sheba (1952)
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A mismatched couple's marital problems come to the surface when the husband develops an interest in their pretty boarder.
The Importance of Being Earnest (1952)
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Algernon Moncrieff is surprised to discover that his affluent friend -- whom he knows as "Ernest" -- is actually named Jack Worthing. Jack fabricated his alter ego in order to escape his country estate where he takes care of his charge, Cecily Cardew. Cecily believes that Ernest is Jack's wayward brother and is keen on his raffish lifestyle. Algernon, seeing an opportunity, assumes Ernest's identity and sneaks off to woo Cecily.
Androcles and the Lion (1952)
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George Bernard Shaw’s breezy, delightful dramatization of this classic fable—about a Christian slave who pulls a thorn from a lion’s paw and is spared from death in the Colosseum as a result of his kind act—was written as a meditation on modern Christian values. Pascal’s final Shaw production is played broadly, with comic character actor Alan Young as the titular naïf. He’s ably supported by Jean Simmons, Victor Mature, Robert Newton, and Elsa Lanchester.
On the Riviera (1951)
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In this fast-paced remake of the Maurice Chevalier vehicle Folies Bergère, talented Danny Kaye plays both a performer and a heroic French military pilot.
Another Man's Poison (1951)
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Mystery novelist Janet Frobisher, lives in an isolated house, having been separated for years from her criminal husband. She has fallen in love with her secretary's fiancé and when her estranged husband unexpectedly returns, Janet poisons him, but just as she's about to dispose of the body, one of her husband's criminal cohorts also shows up.
The Tales of Hoffmann (1951)
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A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover.
The Lady with a Lamp (1951)
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Based on the Reginald Berkeley stage play, this compelling historical drama offers a depiction of the life story of Florence Nightingale, the young 19th-century Englishwoman famously drawn to a career in nursing. Traveling to Turkey during the Crimean War, Florence gains a reputation for being devoted to the care of wounded soldiers and for pioneering higher standards for sanitary hospital conditions.
Show Boat (1951)
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A dashing Mississippi river gambler wins the affections of the daughter of the owner of the Show Boat.
The Racket (1951)
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The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. McQuigg, the only honest police captain on the force, and his loyal patrolman, Johnson, take on the violent Nick.
Othello (1951)
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When a secret marriage is planned between Othello, a Moorish general, and Desdemona, the daughter of Senator Brabantio, her old suitor Roderigo takes it hard. He allies himself with Iago, who has his own grudge against Othello, and the two conspire to bring Othello down. When their first plan, to have him accused of witchcraft, fails, they plant evidence intended to make him believe Desdemona is unfaithful.
Murder Without Crime (1950)
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A man gets in trouble when he accidentally kills and covers up a murder of a girl he meets after a big fight with his wife.
Cyrano de Bergerac (1950)
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France, 1640. Cyrano, the charismatic swordsman-poet with the absurd nose, hopelessly loves the beauteous Roxane; she, in turn, confesses to Cyrano her love for the handsome but tongue-tied Christian. The chivalrous Cyrano sets up with Christian an innocent deception, with tragic results.
Harvey (1950)
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The story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.