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Top 100 Based On Short Story movies

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Phase IV (1974)

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Arizona ants mock the food chain on their way to a desert lab to get two scientists and a woman.

The Beast Must Die (1974)

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Wealthy big game hunter Tom Newcliffe has tracked and killed practically every type of animal in the world. But one creature still evades him, the biggest game of all - a werewolf.

The Victim (1972)

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A woman is trapped during a storm in a house with no electricity or phone. A killer has murdered her sister, stuffed the body in the basement, and is now after her.

Cabaret (1972)

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Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

Duel (1971)

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Traveling businessman David Mann angers the driver of a rusty tanker while crossing the California desert. A simple trip turns deadly, as Mann struggles to stay on the road while the tanker plays cat and mouse with his life.

Blind Beast (1969)

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A blind sculptor kidnaps an artists' model and imprisons her in his warehouse studio – a shadowland of perverse monuments to the female form. Here a deranged passion play of sensual and sexual obsession is acted out in world where sight is replaced by touch.

The Love Bug (1968)

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Down-on-his-luck race car driver Jim Douglas teams up with a little VW Bug that has a mind of its own, not realizing Herbie's worth until a sneaky rival plots to steal him.

The Swimmer (1968)

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Well-off ad man Ned Merrill is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town. Soon, Ned's journey becomes harrowing; at each house, he is somehow confronted with a reminder of his romantic, domestic and economic failures.

Pearls of the Deep (1966)

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A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

Die, Monster, Die! (1965)

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A young man visits his fiancé's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.

The Skull (1965)

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An occult investigator buys the 150-year-old skull of the Marquis de Sade, which turns out to be possessed by evil spirits.

Charulata (1964)

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In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Diamonds of the Night (1964)

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A tense, brutal story of two Jewish boys who escape from a train transporting them from one concentration camp to another. Ultimately, they are hunted down by a group of old, armed home-guardists. The film goes beyond the themes of war and anti-Nazism and concerns itself with man's struggle to preserve human dignity.

Charulata (1964)

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In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

The Victors (1963)

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Intercutting dramatic vignettes with newsreel footage, the story follows the characters from an infantry squad as they make their way from Sicily to Germany during the end of World War II.

The Sun in a Net (1963)

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Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.

The Birds (1963)

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Thousands of birds flock into a seaside town and terrorize the residents in a series of deadly attacks.

The Loneliness of the Long Distance Runner (1962)

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A rebellious youth sentenced to a reformatory for robbing a bakery rises through the ranks of the institution through his prowess as a long distance runner. During his solitary runs, reveries of his life and times before his incarceration lead him to re-evaluate his privileged status as a prized athlete.