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Top 100 California movies

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A Life at Stake (1955)

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An out-of-work architect meets a married woman who has a business proposition for him. The architect begins to suspect the woman's interest in him is not just financial and may actually be deadly.

A Star Is Born (1954)

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A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

Cry Vengeance (1954)

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Ex-cop Vic Barron crossed the wrong mobsters; his wife and child were killed and he was scarred, framed, and imprisoned. On release, Vic has but one desire, revenge on still-hiding Tino Morelli.

Pushover (1954)

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A police detective falls for the bank robber's girlfriend he is supposed to be tailing.

The War of the Worlds (1953)

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The residents of a small town are excited when a flaming meteor lands in the hills, until they discover it is the first of many transport devices from Mars bringing an army of invaders invincible to any man-made weapon, even the atomic bomb.

The Bigamist (1953)

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San Francisco businessman Harry Graham and his wife and business partner, Eve, are in the process of adopting a child. When private investigator Mr. Jordan uncovers the fact that Graham has another wife, Phyllis, and a small child in Los Angeles, he confesses everything.

The War of the Worlds (1953)

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6.8 587914
6.8 337215

The residents of a small town are excited when a flaming meteor lands in the hills, until they discover it is the first of many transport devices from Mars bringing an army of invaders invincible to any man-made weapon, even the atomic bomb.

The Turning Point (1952)

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Special prosecutor John Conroy hopes to combat organized crime in his city and appoints his cop father Matt as chief investigator. John doesn't understand why Matt is reluctant, but cynical reporter Jerry McKibbon thinks he knows: he's seen Matt with mob lieutenant Harrigan. Jerry's friendship with John is tested by the question of what to do about Matt, and by his attraction to John's girl Amanda. Meanwhile, the threatened racketeers adopt increasingly violent means of defense.

The Raiders (1952)

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A rancher who has staked a claim during the California gold rush goes after the gang of murderous claim-jumpers who have stolen his claim and murdered his wife.

The Atomic City (1952)

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Spies hold the son of a nuclear physicist (Gene Barry) hostage in exchange for the Los Alamos bomb formula.

My Man and I (1952)

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In California, a Mexican-American laborer is falsely accused of shooting the racist farmer he was working for after the farmer stiffed him with a bad check.

The Sniper (1952)

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Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.

California Conquest (1952)

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The period is the 1840s and California is part of Mexico. Many of the citizens wish to become part of the United States. Other countries are also interested and the Russians have established bases in the northern part of the state. To further their hold they have stolen guns and Don Arturo Bordega, a leader of those wanting statehood, is out to recover them.

Westward the Women (1951)

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There's a deficit of good, honest women in the West, and Roy Whitman wants to change that. His solution is to bring a caravan of over 100 mail-order brides from Chicago to California. It will be a long, difficult and dangerous journey for the women. So Whitman hires hardened, cynical Buck Wyatt to be their guide across the inhospitable frontier. But as disaster strikes on the trail, Buck just might discover that these women are stronger than he thinks.

Roadblock (1951)

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An insurance agent's greedy girlfriend with a taste for mink leads him to a life of crime.

The House on Telegraph Hill (1951)

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Concentration camp survivor Victoria Kowelska finds herself involved in mystery, greed, and murder when she assumes the identity of a dead friend in order to gain passage to America.

Chicago Calling (1951)

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Bill Cannon (Dan Duryea) loses everything to alcohol: his job, his family, his self-respect. Soon after his wife and daughter leave him, he receives word his little girl has been injured in a car accident outside Chicago. His wife will call later with news, but Bill’s short the $53 he needs to keep his phone from being disconnected. Filled with anguish, he heads out onto the Los Angeles streets to find some way to come up with the cash. As his character encounters expected cruelty and unexpected kindness, Duryea takes what might have been mere melodrama and turns it into a perceptive examination of one shattered soul. The other fine star of