Top 100 Communism movies
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Rosa Luxemburg (1986)
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Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.
Volunteers (1985)
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After his rich father refuses to pay his debt, compulsive gambler Lawrence Bourne III joins the Peace Corps to evade angry creditors. In Thailand, he is assigned to build a bridge for the local villagers with the help of American-As-Apple-Pie WSU Grad Tom Tuttle and the beautiful and down-to earth Beth Wexler. What they don't realize is that the bridge is coveted by the U.S. Army, a local Communist force, and a powerful drug lord. Together with the help of At Toon, the only English speaking native, they must fight off the three opposing forces and find out what is right for the villagers, as well as themselves.
Hands Up! (1985)
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The reunion of a group of former medical students results in a flood of bitter memories.
Diary for My Children (1984)
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After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.
The Killing Fields (1984)
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New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
The Witness (1979)
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Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.
Man of Marble (1977)
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A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.
The Front (1976)
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A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
1900 (1976)
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The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
Hearts and Minds (1974)
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Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
WR: Mysteries of the Organism (1971)
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What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
Wind from the East (1970)
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A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.
Vixen! (1968)
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Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and even her biker brother. She is openly racist, and she makes it clear that she won't do the wild thing with her brother's biker friend, who is black.
La Chinoise (1967)
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Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
Before the Revolution (1964)
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The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future.
Visa to Canton (1960)
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A former World War II pilot, now the owner of a travel agency in Hong Kong, gets involved in espionage trying to help a Chinese woman locate her son.
The Iron Petticoat (1956)
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Captain Vinka Kovalenko defects from Russia, but not for political reasons. She defects because she feels discriminated against as a woman. Captain Chuck Lockwood gets the order to show her the bright side of capitalism, while she tries to convince him of the superiority of communism. Naturally, they fall in love, but there's still the KGB, which doesn't like the idea of having a defected Russian officer running around in London.
A Generation (1955)
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Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Soon he is engaged in dangerous efforts to fight oppression and indignity, maturing as he assumes responsibility for others’ lives. A coming-of-age story of survival and shattering loss, A Generation delivers a brutal portrait of the human cost of war.