Top 100 Experimental movies
Welcome to our curated selection of titles and articles connected to the keyword "Experimental". Here, you’ll discover a variety of content—spanning films, TV shows, news, and other media—that offers valuable insights, entertainment, and perspectives on this topic. Whether you’re deeply familiar with "Experimental" or just starting to explore, this collection is designed to guide you toward notable works, hidden gems, and must-read information.
Drifting (2024)
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A lost and lonely artist drowns in a collection of her dreams in search of her estranged sister.
Bramayugam (2024)
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Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.
Jerrod Carmichael Reality Show (2024)
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Follow the personal life of Jerrod Carmichael, through his encounters with friends, family, and strangers, all in his search for love, sex, and connection.
115 (2025)
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Emily enters a reverse time loop while creating incorrect fuel (element 115). JT, a boy she meets daily, helps her gather DNA, plants, and water. She creates a wormhole, but the fuel fails, causing a quantum collapse that reverses her through time.
Cobweb (2023)
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In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
Friend of the World (2020)
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After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Amelia 2.0 (2017)
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After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
Seven Year Switch (2015)
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Four married couples try to save their marriages by entering into a social experiment. During this experiment, the four couples switch spouses and live with another participants spouse for two weeks as husband and wife.
Synchronicity (2015)
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A daring physicist travels into the past to stop a mysterious woman from stealing his invention. But once there, he uncovers a surprising truth about the machine, the woman, and his own fractured reality.
Atlantis (2014)
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A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
Stone (1992)
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Via the New York Times: "...a severely obscure meditation on pre-revolutionary Russia in the form of an encounter between a ghost from the past and the ghost's present-day guardian. In fact, the two characters seem to be the shade of Anton Chekhov and the young man who tends a Chekhov museum in the Crimea, though that is never made explicit."
House (1977)
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Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Atman (1975)
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ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
Symbiopsychotaxiplasm (1968)
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In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a
Abstronic (1952)
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A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the
Trade Tattoo (1937)
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Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film printing and color grading ever attempted. Animated words and patterns combine with the live-action footage to create images as complex and multi-layered as a Cubist painting. Music was provided by the Cuban Lecuona Band. With its dynamic rhythms, the film seeks (in Lye’s words) to convey “a romanticism about the work of the everyday in all walks
The Birth of the Robot (1936)
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This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive