Top 100 Geisha movies
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The Scent of Incense (1964)
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After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.
My Geisha (1962)
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Famed movie director Paul Robaix breaks with tradition by not casting his actress-comedienne wife, Lucy Dell, in his latest film production, a version of Madame Butterfly. Undaunted, the resourceful Lucy wings her way to Tokyo and, masquerading as a Japanese geisha, lands the coveted role from her unsuspecting husband! But in front of the cameras (and behind the pancake makeup), Lucy faces greater challenges: her lecherous leading man - and a husband who is beginning to realize that his talented new "discovery" seems vaguely familiar...
A Geisha's Diary (1961)
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A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.
The Geisha Boy (1958)
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Gilbert Wooley is a second-rate magician who is sent to entertain the troops in the pacific. During his time in Japan he becomes attached to a little orphan boy.
The Barbarian and the Geisha (1958)
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Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a young geisha.
Flowing (1956)
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Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
Late Chrysanthemums (1954)
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With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.
A Geisha (1953)
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Eiko seeks out Miyoharu, a geisha, and asks to be her apprentice. When she is ready to receive clients, both women want the right to refuse certain men.
Ginza Cosmetics (1951)
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A luckless geisha struggles to make a living for herself and her young son.
What Did the Lady Forget? (1937)
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A professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Despite being a minor, Setsuko is a liberated woman who does whatever she wants, including smoking. She even convinces Koyima to take her to a geisha house. When she gets rather tipsy, the professor calls Okada, one of his students, to take her home. The wife becomes suspicious of Setsuko when she sees Okada bringing her home.
Sisters of the Gion (1936)
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Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. However her younger sister Omocha tells her she is wasting her time and money on a loser. She thinks that they should both find wealthy patrons to support them. Omocha therefore tries various schemes to get rid of Furusawa, and set themselves up with better patrons.
Wife! Be Like a Rose! (1935)
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Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.