Top 100 India movies
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Carry On Up the Khyber (1968)
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Sir Sidney Ruff-Diamond looks after the British outpost near the Khybar pass. Protected by the kilted Third Foot and Mouth regiment, you would think they were safe, but the Khazi of Kalabar has other ideas—he wants all the British dead. But his troops fear the 'skirted-devils, who are rumoured not to wear any underwear.
The Jungle Book (1967)
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The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.
Shakespeare-Wallah (1965)
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The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.
The Brigand of Kandahar (1965)
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1880. British India. Robert Case, a half-caste lieutenant, is unjustly discharged from the British Army. He joins the rebel Bengali tribesmen offensive against the colonial enemy. They capture a foreign journalist and Case recounts his story of false accusation on trumped-up charges, instigated by the bigotry and racism of his commanding officers. Following a successful attack by the British against the rebels Case is brutally shot by Colonel Drewe, his accuser. The journalist returns home determined to report the true story of The Brigand of Kandahar.
Charulata (1964)
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In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
Man in the Middle (1964)
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In a remote jungle outpost in the Far Eastern theater of World War II, a hotheaded American soldier murders an allied British sergeant in cold blood. Stalwart American Lt. Colonel Barney Adams (Mitchum) is dispatched to defend him in the ensuing court martial. But when Lt. Adams starts encountering roadblocks in his search for evidence, and his key witnesses start disappearing one after another, he soon realizes he's merely a pawn in a mysterious conspiracy that could extend to the highest levels of military power.
Charulata (1964)
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In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
The Stranglers of Bombay (1959)
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In 1826 British-ruled India, the secret Cult of Thugee demonstrates their worship of their goddess, Kali, by the mutilation and mass murder of thousands of Indians while pirating the shipments of the British East-Indian Tea Company. As the British military leaders play down the implications of the piracy and disappearances, a lone captain realizes that they are not just coincidence and sets out to uncover the source of the deviltry, at the risk of his career. Based on history.
The Tiger of Eschnapur (1959)
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In Eschnapur, a German architect saves the life of the Maharajah's favorite temple dancer and becomes Maharajah's friend but their friendship is tested when the architect and the dancer fall in-love, triggering the Maharajah's vengeful ire.
Aparajito (1956)
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Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in
Bhowani Junction (1956)
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Anglo-Indian Victoria Jones seeks her true identity amid the chaos of the British withdrawal from India.
Around the World in Eighty Days (1956)
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Based on the famous book by Jules Verne the movie follows Phileas Fogg on his journey around the world. Which has to be completed within 80 days, a very short period for those days.
Aparajito (1956)
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Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in
Shree 420 (1955)
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The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
Bengal Brigade (1954)
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Year 1856, British India. Capt. Jeffrey Claybourne is severely punished after disobeying an order. Feeling unworthy of his fiancée Vivian Morrow, the daughter of his superior officer, Claybourne leaves the army until he could regain his reputation. When the Rajah Karam launches an attack on the British forces in India, Claybourne finds a chance at redemption.
Khyber Patrol (1954)
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British officers of India is jeopardized when warlords Ahmed Shir and Prince Ishak Khan battle at the Khyber Pass. Enter Capt. Kyle Cameron of the British Lancers, whose renegade style may either save the day or doom the region to chaos. When Cameron learns that greater forces are pulling the strings, he attempts to destroy Shir's rebel faction from within.
King of the Khyber Rifles (1953)
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Freshly arrived Sandhurst-trained Captain Alan King, better versed in Pashtun then any of the veterans and born locally as army brat, survives an attack on his escort to his Northwest Frontier province garrison near the Khyber pass because of Ahmed, a native Afridi deserter from the Muslim fanatic rebel Karram Khan's forces. As soon as his fellow officers learn his mother was a native Muslim which got his parents disowned even by their own families, he falls prey to stubborn prejudiced discrimination, Lieutenant Geoffrey Heath even moves out of their quarters, except from half-Irish Lt. Ben Baird.
Thunder in the East (1952)
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During India's first years of independence from Britain, Steve Gibbs lands his armaments loaded plane in Ghandahar province hoping to get rich. Pacifist Prime Minister Singh hopes to reach an agreement with guerilla leader Khan, the maharajah is a fool, and the British residents are living in the past. Steve's love interest is Joan Willoughby, the blind daughter of a parson.