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Top 100 Musical movies

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Willy Wonka & the Chocolate Factory (1971)

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When eccentric candy man Willy Wonka promises a lifetime supply of sweets and a tour of his chocolate factory to five lucky kids, penniless Charlie Bucket seeks the golden ticket that will make him a winner.

Fiddler on the Roof (1971)

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In a pre-revolutionary Russia, a poor Jewish milkman struggles with the challenges of a changing world as his daughters fall in love and antisemitism grows.

On a Clear Day You Can See Forever (1970)

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Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to do it. But once she's under, her doctor finds out that she can regress into past lives and different personalities, and he finds himself falling in love with one of them.

Pufnstuf (1970)

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Jimmy (Jack Wild) ventures to Living Island with his magical, talking flute, Freddy. Once there, he befriends many of the island's inhabitants, but the evil Witchiepoo (Billie Hayes) is determined to steal Freddy the flute away from the boy to impress the visiting Witches' Council and win the Witch of the Year Award.

Beyond the Valley of the Dolls (1970)

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An all-female rock group finds fame, love, and drama when they move to LA in order to claim the lead singer’s inheritance.

Santa Claus Is Comin' to Town (1970)

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A postman, S.D. Kluger, decides to answer some of the most common questions about Santa Claus, and tells us about a baby named Kris who is raised by a family of elf toymakers named Kringle. When Kris grows up, he wants to deliver toys to the children of Sombertown. But its Mayor is too mean to let that happen. And to make things worse, the Winter Warlock lives between the Kringles and Sombertown.

Toomorrow (1970)

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A group of students pay their way through school by forming a pop band called Toomorrow. Sonic vibrations from a special instrument called a ‘tonaliser’ cause an extraterrestrial to abduct the group, and have them entertain the Alphoid population.

Scrooge (1970)

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A musical adaptation of Charles Dickens' classic ghost tale starring Albert Finney.

Jack and the Beanstalk (1970)

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Retelling of the classic fairy tale, but from a decidedly 1960s point of view, complete with "groovy" dialogue.

Shark (1969)

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A gunrunner loses his cargo near a small coastal Sudanese town so he's stuck there. When a woman hires him to raid a sunken ship in the shark-infested waters, he sees a chance to compensate for his losses. He's not the only one.

The Magic Christian (1969)

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Sir Guy Grand, the richest man in the world, adopts a homeless man, Youngman. Together, they set out to prove that anyone--and anything--can be bought.

Head (1968)

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In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Finian's Rainbow (1968)

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An Irish immigrant and his daughter arrive in Kentucky with a magical piece of gold that alters the course of several lives, including those of a struggling farmer and an African American community facing persecution from a bigoted politician.

Star! (1968)

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Gertrude Lawrence rises to stage stardom at the cost of happiness.

Speedway (1968)

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A race car driver tries to outrun the beautiful tax auditor out to settle his account.

Mrs. Brown, You've Got a Lovely Daughter (1968)

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Herman inherits a greyhound and decides to make his fortune by dog racing. After traveling from Manchester to London in the hope of entering a national invitational, Herman and his friends find work in a pop group, and Herman falls in love.

Oliver! (1968)

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Musical adaptation of Charles Dickens' Oliver Twist, a classic tale of an orphan who runs away from the workhouse and joins up with a group of boys headed by the Artful Dodger and trained to be pickpockets by master thief Fagin.

The Producers (1968)

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Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.