Top 100 New York City movies
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The Anderson Tapes (1971)
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Thief Duke Anderson—just released from ten years in jail—takes up with his old girlfriend in her posh apartment block, and makes plans to rob the entire building. What he doesn't know is that his every move is being recorded on audio and video, although he is not the subject of any surveillance.
The Gang That Couldn't Shoot Straight (1971)
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A Brooklyn mobster and his gang try to rub out their rivals.
Such Good Friends (1971)
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Julie Messinger, a repressed woman, grapples with her hidden passions when a routine hospital visit for her husband, Richard, spirals into chaos. As secrets unravel, her quest for authenticity clashes with societal expectations.
They Might Be Giants (1971)
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After the death of his wife, wealthy retiree Justin Playfair creates a fantasy world for himself in which he is the legendary detective Sherlock Holmes, even dressing like the character. Out of concern for Justin's money more than his health, his brother Blevins puts him under the care of psychiatrist Dr. Mildred Watson. As Dr. Watson grows fond of Justin, she begins to play along with his theories, eventually becoming an assistant in his investigations.
Little Murders (1971)
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A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.
Desperate Characters (1971)
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Sophie and Otto Bentwood are a middle-aged, middle class, childless Brooklyn Heights couple trapped in a loveless marriage. He is an attorney, she a translator of books. Their existence is affected not only by their disintegrating relationship but by the threats of urban crime and vandalism that surround them everywhere they turn, leaving them feeling paranoid, scared, and desperately helpless.
Jennifer on My Mind (1971)
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Two rich American young adults who meet and fall in love in Venice, Italy. With plenty of money and no real responsibilities or direction in life, the couple begin experimenting with illicit drugs. The movie travels through a series of flashbacks showing their progression from marijuana to harder drugs as a result of their complex romantic entanglement with each other.
Plaza Suite (1971)
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Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention to spruce up their failing marriage. In the second, brash film producer Jesse Kiplinger tries to get his former one-time flame Muriel to see him for what he stands for. In the third, Roy Hubley and his wife Norma try and try to get their uncertain-of-herself daughter out of the bathroom before her approaching wedding.
All in the Family (1971)
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Archie Bunker, a working class bigot, constantly squabbles with his family over the important issues of the day.
Shaft (1971)
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Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.
Klute (1971)
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A high-priced call girl is forced to depend on a reluctant private eye when she is stalked by a psychopath.
The French Connection (1971)
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Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
Hi, Mom! (1970)
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Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.
Hospital (1970)
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Daily activities of the Metropolitan Hospital in New York City, with emphasis on the emergency ward and outpatient clinics. The cases depicted illustrate how medical expertise, availability of resources, organizational considerations and the nature of communication among the staff and patients affect the delivery of health care.
The Cross and the Switchblade (1970)
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David Wilkerson's first five years in New York City, where he ministered to disillusioned youth, encouraging them to turn away from the drugs and gang violence they were involved with.
Hi, Mom! (1970)
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Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.
The Angel Levine (1970)
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Morris Mishkin is a elderly religious Jew in New York. His wife Fanny is very ill. He's a tailor, but he can't work because his back has given out. He doesn't even have enough money for Fanny's medicine. Finally, a black fellow appears from nowhere in the Mishkin kitchen. He says he's an angel from God, sent to help Mishkin. The black angel is even Jewish, named Alex Levine? But will Morris believe in the angel? And can the angel perform the miracle that he promises?
Diary of a Mad Housewife (1970)
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Tina Balser is a bored New York housewife-mother married to Jonathan, a pompous, social-climbing lawyer who ridicules her in front of their children, criticizing everything she does or wears. She begins an affair with George Prager, a dashing, successful, and blatantly sadistic writer.