Top 100 New York City movies
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Ladies of Leisure (1930)
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Kay Arnold is a gold digger who wanders from party to party with the intention of catching a rich suitor. Jerry Strong is a young man from a wealthy family who strives to succeed as an artist. What begins as a relationship of mutual convenience soon turns into something else.
The Broadway Melody (1929)
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The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
Untamed (1929)
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In her first Talkie, Joan Crawford plays Bingo, a jungle-raised oil heiress, who turns Manhattan upside down in her hunt for Andy McAllister, the man of her dreams. Unfortunately for Bingo, Andy is penniless and refuses to agree to the match until he can provide for the wild, rich girl. Andy's prideful position is more than encouraged by Bingo's Uncle Ben, who seeks to scuttle their love match.
The Docks of New York (1928)
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A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
The Cameraman (1928)
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A photographer takes up newsreel shooting to impress a secretary.
The Jazz Singer (1927)
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A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Day Dreams (1922)
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In order to impress the father of a girl he is keen on, a young man goes to the city in search of work. In his letters home he writes of his various jobs which her imagination expands into much nobler ones than those that he is actually attempting.
Manhatta (1921)
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Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
The Immigrant (1917)
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An European immigrant endures a challenging voyage only to get into trouble as soon as he arrives in New York.