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Top 100 Paris movies

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Lionheart (1987)

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A young knight sets out to join King Richards crusaders. Along the way, he encounters The Black Prince who captures children and sells them as slaves to the Muslims. It is Robert Narra's sworn duty to protect the children and lead them to safety.

The Green Ray (1986)

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A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.

Target (1985)

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A Texan with a secret past searches Europe with his son after the KGB kidnaps his wife.

Brigade of Death (1985)

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When the investigation on a prostitute murder by the Paris vice department derails, one cop will stop at nothing for revenge.

Code Name: Emerald (1985)

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In preparation for Operation Overlord, the Allied invasion of Nazi occupied territory, the 'overlords' were the few Allied agents who knew the details of the operation. When one them is captured by the Germans, a double agent must infiltrate occupied Paris, with the help of a high level German officer and the French Resistance.

Rendez-vous (1985)

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Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.

National Lampoon's European Vacation (1985)

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The Griswolds win a vacation to Europe on a game show, and so pack their bags for the continent. They do their best to catch the flavor of Europe, but they just don't know how to be be good tourists. Besides, they have trouble taking holidays in countries where they CAN speak the language.

A View to a Kill (1985)

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A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.

Subway (1985)

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Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.

Until September (1984)

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American tour guide Mo Alexander misses her tour group, and then her flight out of Paris. Stuck in the city of romance, Mo runs into the very suave -- and very married -- Xavier, who attempts to seduce Mo while his family is out of town. His charms prove hard to resist, and Mo succumbs, though her conscience weighs heavy. Soon their bickering romance of convenience takes a serious turn, and, in spite of himself, Xavier finds he's falling in love.

Swann in Love (1984)

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In 19th-century Paris, Charles Swann risks his social standing in his obsessive pursuit of prostitute Odette. His overwhelming desire for her comes, in part, from Odette's complete disinterest in him. When he finally weds her, utterly compromising himself in high society, he finds to his horror that his love for her was a complete illusion. At the same time, the Baron de Charlus pursues his own ill-advised romance.

The Outsider (1983)

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Philippe Jordan is a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord who is essentially inaccessible -- but not immortal.

The Outsider (1983)

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Philippe Jordan is a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord who is essentially inaccessible -- but not immortal.

Ghost Dance (1983)

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Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

Danton (1983)

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Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.

La Balance (1982)

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A Paris police detective plays rough with a prostitute and her pimp/lover, whom he wants as an informant.

Victor/Victoria (1982)

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A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.