Top 100 Paris movies
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The Outside Man (1972)
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A French hit man is hired by a crime family to end the life of a rival mobster, but things fall apart when the boss who hired him is killed.
The French Sex Murders (1972)
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After a French prostitute is found dead, one of her regular clients is tried and convicted for her murder. He is eventually sentenced to death but dies in a high speed pursuit after attempting to escape custody. Soon, the witnesses that testified against him end up being systematically murdered by a mysterious killer wearing black gloves.
Savage Messiah (1972)
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In the Paris of the 1910s, brash young sculptor Henri Gaudier begins a creative partnership with an older writer, Sophie Brzeska. Though the couple is 20 years apart in age, Gaudier finds that his untamed work is complemented by the older woman's cultural refinement. He then moves to London with Brzeska, where he falls in with a group of avant-garde artists. There, Gaudier encounters yet another artistic muse in passionate suffragette Gosh Boyle.
Last Tango in Paris (1972)
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A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
Murders in the Rue Morgue (1971)
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In Paris, in the beginning of the Twentieth Century, Cesar Charron owns a theater at the Rue Morgue where he performs the play "Murders in the Rue Morgue" with his wife Madeleine Charron, who has dreadful nightmares. When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq would be Cesar's former partner Rene Marot. But Marot murdered Madeleine's mother many years ago and committed suicide immediately after.
Four Nights of a Dreamer (1971)
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Jacques, a young man with artistic aspirations, spends four nights wandering Paris with a young woman, whom he rescued from suicide.
Meeting the Man: James Baldwin in Paris (1971)
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In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
Quiet Days in Clichy (1970)
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Joey is a struggling writer with no money. His roommate Carl is a charming stud with a taste for young girls. Together, these two insatiable dreamers will laugh, love and screw their way through a decadent Paris paved with wanton women, wild orgies and outrageous erotic adventures.
The Aristocats (1970)
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When Madame Adelaide Bonfamille leaves her fortune to Duchess and her children—Bonfamille’s beloved family of cats—the butler plots to steal the money and kidnaps the legatees, leaving them out on a country road. All seems lost until the wily Thomas O’Malley Cat and his jazz-playing alley cats come to the aristocats’ rescue.
Le Cercle Rouge (1970)
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When French criminal Corey gets released from prison, he resolves to never return. He is quickly pulled back into the underworld, however, after a chance encounter with escaped murderer Vogel. Along with former policeman and current alcoholic Jansen, they plot an intricate jewel heist. All the while, quirky Police Commissioner Mattei, who was the one to lose custody of Vogel, is determined to find him.
The Conformist (1970)
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A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Bed and Board (1970)
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Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
The Brain (1969)
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Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.
The Madwoman of Chaillot (1969)
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An eccentric Parisian woman's optimistic perception of life begins to sound more rational than the traditional beliefs of others. The story is set in a 20th-century society endangered by power and greed and imagines the rebellion of the "little people" against corrupt and soulless authority.
Topaz (1969)
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Copenhagen, Denmark, 1962. When a high-ranking Soviet official decides to change sides, a French intelligence agent is caught up in a cold, silent and bloody spy war in which his own family will play a decisive role.
Army of Shadows (1969)
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Betrayed by an informant, Philippe Gerbier finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.
Stolen Kisses (1968)
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The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.