Top 100 Paris movies
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Charade (1963)
4
After Regina Lampert falls for the dashing Peter Joshua on a skiing holiday in the French Alps, she discovers upon her return to Paris that her husband has been murdered. Soon, she and Peter are giving chase to three of her late husband's World War II cronies, Tex, Scobie and Gideon, who are after a quarter of a million dollars the quartet stole while behind enemy lines.
Crooks in Clover (1963)
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An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.
Irma la Douce (1963)
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When a naive policeman falls in love with a prostitute, he doesn’t want her seeing other men and creates an alter ego who’s to be her only customer.
Sundays and Cybele (1962)
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The tragic story of a young orphan girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.
Antoine and Colette (1962)
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Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Love on a Pillow (1962)
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A young girl rescues a man from a suicide attempt. He turns out to be a sociopath, who begins to take over her life, abusing her both verbally and emotionally, yet she can't seem to tear herself away from him.
Gigot (1962)
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A poignant comedy about a mute who befriends Nicole, the little daughter of a prostitute. Gleason shows his considerable talents as an actor without uttering a sound as he plays the bumbling, kind-hearted janitor, Gigot. Gleason wrote the original story and music for this film.
Bon Voyage! (1962)
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The Willards from Terre Haute, Indiana travels abroad for the once-in-a-lifetime vacation in Paris, France. Harry Willard believes that the greatest problem will be avoiding tap water, but bringing his three children will prove to be more troublesome
Jules and Jim (1962)
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In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Cléo from 5 to 7 (1962)
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Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
La Jetée (1962)
- 2
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Vivre Sa Vie (1962)
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Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
Paris Blues (1961)
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During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.
Goodbye Again (1961)
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Middle-aged businesswoman Paula Tessier rejects the advances of her client's amusing 25-year-old son, Philip Van der Besh, but reconsiders when her longtime philandering partner begins yet another casual affair with a younger woman. She soon learns that May-December romances with older women are frowned upon in society.
Paris Belongs to Us (1961)
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A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.
Chronicle of a Summer (1961)
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Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.
Can-Can (1960)
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Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.