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Top 100 Satire movies

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Carry On Up the Khyber (1968)

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Sir Sidney Ruff-Diamond looks after the British outpost near the Khybar pass. Protected by the kilted Third Foot and Mouth regiment, you would think they were safe, but the Khazi of Kalabar has other ideas—he wants all the British dead. But his troops fear the 'skirted-devils, who are rumoured not to wear any underwear.

Vixen! (1968)

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Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and even her biker brother. She is openly racist, and she makes it clear that she won't do the wild thing with her brother's biker friend, who is black.

Wild in the Streets (1968)

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Musician Max Frost lends his backing to a Senate candidate who wants to give 18-year-olds the right to vote, but he takes things a step further than expected. Inspired by their hero's words, Max's fans pressure their leaders into extending the vote to citizens as young as 15. Max and his followers capitalize on their might by bringing new issues to the fore, but, drunk on power, they soon take generational warfare to terrible extremes.

if.... (1968)

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In an English boys' boarding school, social hierarchy reigns supreme and power remains in the hands of distanced and ineffectual teachers and callously vicious prefects in the Upper Sixth. Three Lower Sixth students, Wallace, Johnny and leader Mick Travis decide on a shocking course of action to redress the balance of privilege once and for all.

The Producers (1968)

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Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

The Secret Cinema (1967)

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Welcome to the Secret Cinema, now featuring a series of films on the real-life misadventures of Jane, a New York City office secretary. See Jane being sexually harassed by her boss, Mr. Troppogrosso. See Jane get dumped by her boyfriend, Dick. See Jane humiliated in lots of ways. And here's the kicker: Jane doesn't know that her life is being filmed, or that she's being set up by some of the people closest to her. But she's starting to have her suspicions.

Death of a Bureaucrat (1966)

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A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.

A Report on the Party and the Guests (1966)

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A picnic is rudely transformed into a lesson in political hierarchy when a handful of mysterious authority figures show up.

The Hawks and the Sparrows (1966)

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A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.

Get Smart (1965)

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Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track. The

Help! (1965)

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An obscure Eastern cult that practices human sacrifice pursues Ringo after he unknowingly puts on a ceremonial ring (that, of course, won't come off). On top of that, a pair of mad scientists, members of Scotland Yard, and a beautiful but dead-eyed assassin all have their own plans for the Fab Four.

Carry On Spying (1964)

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Carry On favourite Barbara Windsor makes her debut in this outrageous send-up of the James Bond movies. Fearless agent Desmond Simpkins and Charlie Bind, aided and abetted by the comely Agent Honeybutt and Agent Crump, battle against the evil powers of international bad guys STENCH and their three cronies.

Nothing But the Best (1964)

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Success has James Brewster's name written all over it, and he also has his heart set on his boss's daughter. A con artist hires him to help out on a bank scheme, but then again, James will do anything to get rich and be the most successful businessman in Britain-even if it means murder!!!

The Addams Family (1964)

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A satirical inversion of the ideal of the perfect American nuclear family, they are an eccentric wealthy family who delight in everything grotesque and macabre, and are never really aware that people find them bizarre or frightening. In fact, they themselves are often terrified by "normal" people.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 1964 United Kingdom Watch online

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

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After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

Heavens Above! (1963)

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A naive but caring prison chaplain, who happens to have the same last name as an upper class cleric, is by mistake appointed as vicar to a small and prosperous country town. His belief in charity and forgiveness sets him at odds with the conservative and narrow-minded locals, and he soon creates social ructions by appointing a black dustman as his churchwarden, taking in a gypsy family, and persuading the local landowner to provide free food for the church to distribute free to the people of the town. When the congregation leaders realise the mistake and call for the Church of England to remove him, this turns out to be a very, very

That Was The Week That Was (1962)

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That Was the Week That Was, informally TWTWTW or TW3, is a satirical television comedy programme on BBC Television in 1962 and 1963. It was devised, produced and directed by Ned Sherrin and presented by David Frost. An American version by the same name aired on NBC from 1964 to 1965, also featuring Frost. The programme is considered a significant element of the satire boom in the United Kingdom in the early 1960s. It broke ground in comedy through lampooning the establishment and political figures. Its broadcast coincided with coverage of the politically charged Profumo affair and John Profumo, the politician at the centre of the affair,

I'm All Right Jack (1959)

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Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.