Top 100 Tokyo movies
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Godzilla, King of the Monsters! (1956)
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During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.
Street of Shame (1956)
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The lives of five prostitutes employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.
Flowing (1956)
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Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
Warning from Space (1956)
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Large star-shaped aliens travel to earth in hopes of warning them about an oncoming catastrophe. To prevent panic about their appearance, one alien takes the form of a popular singer.
Sound of the Mountain (1954)
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An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.
Late Chrysanthemums (1954)
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With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.
Godzilla (1954)
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Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
The Flavor of Green Tea over Rice (1952)
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The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.
Ginza Cosmetics (1951)
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A luckless geisha struggles to make a living for herself and her young son.
Stray Dog (1949)
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A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
One Wonderful Sunday (1947)
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Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.
Thirty Seconds Over Tokyo (1944)
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In the wake of Pearl Harbor, a young lieutenant leaves his expectant wife to volunteer for a secret bombing mission which will take the war to the Japanese homeland.
The Story of the Last Chrysanthemum (1939)
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In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
The Only Son (1936)
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A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.
Wife! Be Like a Rose! (1935)
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Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.