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Top 100 Told In Flashback movies

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To Each His Own (1946)

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During World War I, small-town girl Josephine Norris has an illegitimate son by an itinerant pilot. After a scheme to adopt him ends up giving him to another family, she devotes her life to loving him from afar.

It's a Wonderful Life (1946)

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A holiday favourite for generations... George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.

Dead Reckoning (1946)

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War heroes Rip Murdock and Johnny Drake are sent to Washington, D.C, to receive top honors for their service. Johnny, seemingly terrified by the publicity that awaits him, jumps off the train and later turns up dead. Suspecting foul play, Rip begins digging into his pal's past. He encounters cover-ups, threats to his own life and deadly femme fatale Coral Chandler.

The Enchanted Cottage (1945)

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A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of loneliness than love. The romantic spirit of the cottage, however, overtakes them. They soon begin to look beautiful to each other, but no one else.

Leave Her to Heaven (1945)

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A socialite marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy in her.

Brief Encounter (1945)

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Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.

Mildred Pierce (1945)

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A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.

Jungle Woman (1944)

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Paula, the ape woman, has survived the ending of CAPTIVE WILD WOMAN and is running around a creepy old sanitarium run by the kindly Dr. Fletcher, reverting to her true gorilla form every once in a while to kill somebody.

So Proudly We Hail (1943)

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During the start of the Pacific campaign in World War II, Lieutenant Janet Davidson is the head of a group of U.S. military nurses who are trapped behind enemy lines in the Philippines. Davidson tries to keep up the spirits of her staff, which includes Lieutenants Joan O'Doul and Olivia D'Arcy. They all seek to maintain a sense of normal life, including dating, while under constant danger as they tend to wounded soldiers.

The Monster and the Girl (1941)

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After a young woman is coerced into prostitution and her brother framed for murder by an organized crime syndicate, retribution in the form of an ape visits the mobsters.

Hold Back the Dawn (1941)

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Romanian-French gigolo Georges Iscovescu wishes to enter the USA. Stopped in Mexico by the quota system, he decides to marry an American, then desert her and join his old partner Anita, who's done likewise. But after sweeping teacher Emmy Brown off her feet, he finds her so sweet that love and jealousy endanger his plans.

The Hurricane (1937)

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A Polynesian sailor is separated from his wife when he's unjustly imprisoned for defending himself against a colonial bully. Members of the community petition the governor for clemency but all pretense of law and order are soon shattered by an incoming tropical storm.

Confession (1937)

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Vera Kowalska is put on trial for murdering concert pianist Michael Michailow. In court it is revealed that some years earlier Michael ruined Vera's life.

The Sin of Nora Moran (1933)

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Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it would not damage the lives, careers and reputations of those whom she loves.

Two Seconds (1932)

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A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.

Freaks (1932)

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A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.