Top 100 Torture movies
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The Wizard of Gore (1970)
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A TV talk-show hostess and her boyfriend investigate a shady magician whom has the ability to hypnotize and control the thoughts of people in order to stage gory on-stage illusions using his powers of mind bending.
Scream and Scream Again (1970)
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A serial killer who drains his victims for blood is on the loose and London police follow him to a house owned by an eccentric scientist.
Bizarre (1970)
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An offbeat anthology film, mix of sex, horror and humor filmed in varied styles.
Cry of the Banshee (1970)
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In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
Eden and After (1970)
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A group of French students are drawn into the psychological and sexual games of a mysterious man called Duchemin. Once they sample his "fear powder" the students experience a series of hallucinations.
Mark of the Devil (1970)
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In 1700s Austria, a witch-hunter's apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, the injustice, the falsehood, the torture and the arbitrary killing that go with the job.
Torture Dungeon (1970)
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In Medieval England, a sadistic duke plots to kill off all the heirs to the throne so he can claim the crown for himself.
Inferno of Torture (1969)
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Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.
Love Camp 7 (1969)
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Two female Army agents go undercover at a Nazi prison camp to get information from a scientist being held there.
The Strange World of Coffin Joe (1968)
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Zé do Caixão hosts this anthology of three short horror stories which feature a strange dollmaker, a necrophiliac balloon seller with a foot fetish, and a psychotic professor involved in sadistic rituals.
God Forgives... I Don't! (1967)
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In this violent spaghetti western a murderous robber hijacks a payroll train, murders everyone aboard and then stashes his loot. A gunslinger learns about it and decides he wants the money for himself and so hatches an elaborate plot to get at it. He lures the crook into a rigged poker game, and afterward a gunfight ensues. The quick-drawing gunman makes short work of the robber, then teams up with an insurance agent to look for the hidden fortune. Unbeknownst to them, the robber had an ace up his sleeve...
The Corrupt Ones (1967)
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Freelance photographer Cliff Wilder (Robert Stack) finds himself the target of various colorful villains in this quest for an ancient Chinese treasure when he accidentally acquires the key to its location, the Peking medallion.
Young Törless (1966)
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At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.
Andrei Rublev (1966)
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An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
The Hill (1965)
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North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
Bloody Pit of Horror (1965)
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A photographer and his models go to an old, abandoned castle for a photo shoot. Unbeknownst to them, the castle is inhabited by a lunatic who believes himself to be the reincarnated spirit of a 17th-century executioner whose job it is to protect the castle against intruders.
White Slaves of Chinatown (1964)
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The beautiful, brutal Olga procures prostitutes and pushes heroin for the syndicate, confining and torturing her pretty victims in a private dungeon located in New York City's sinister Chinatown.
Olga's House of Shame (1964)
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In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even