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Top 100 Torture movies

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The Terror of the Tongs (1961)

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In 1910, Hong Kong, under the rule of the British Empire, is a prosperous and bustling city, but, hidden in the shadows of its many narrow streets, the hideous members of the Red Dragon gang, a branch of the evil Chinese secret society of the Tongs, lurk and murder those who oppose to their tyranny, which thrives on vice, crime and the fear of the weakest.

Mr. Sardonicus (1961)

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In 1880, Sir Robert Cargrave, a London physician known for his experimental work in paralysis treatment, is summoned to Gorslava by the mysterious Baron Sardonicus—who is now married to Cargrave's former wife, Maude—to treat his disfigurement. When Cargrave arrives, he finds the masked baron is a cruel sadist who has threatened to harm Maude if he is not successfully cured.

Jigoku (1960)

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A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.

Spartacus (1960)

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The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.

Night and Fog (1959)

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Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

The Rack (1956)

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Army Captain Edward Hall returns to the U.S. after two years in a prison camp in the Korean War. In the camp, he was brainwashed and helped the Chinese convince the other prisoners that they were fighting an unjust war. When he comes back he is charged for collaboration with the enemy. Where does loyalty end in a prison camp, when the camp is a living hell?

The Strange Door (1951)

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The wicked Alain plots an elaborate revenge against his younger brother Edmund, leading to a deadly confrontation in his dungeon deathtrap.

Tomorrow We Live (1943)

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British World War II film set in occupied France, portraying the activities of members of the French Resistance and the Nazi tactic of taking and shooting innocent hostages in reprisal for acts of sabotage. The opening credits acknowledge "the official co-operation of General de Gaulle and the French National Committee". It was released as "At Dawn We Die" in the US.

Riders of Death Valley (1941)

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The Saturday matinee crowd got two cowboy stars for the price of one in this lavishly budgeted western serial starring former singing cowboy Dick Foran and Buck Jones. The latter contributed deadpan humor to the proceedings, making Jones perhaps the highest paid B-western comedy relief in history. The two heroes defend the Death Valley borax miners from an outlaw gang headed by Wolf Reade. An extraordinarily strong cast -- for a serial, at least -- supported the stars, headed by Charles Bickford as Reade, Leo Carillo, Lon Chaney, Jr., and silent screen star Monte Blue. Leading lady Jeanne Kelly later changed her name to Jean Brooks and

The Mask of Fu Manchu (1932)

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The villainous Dr. Fu Manchu races against a team of Englishmen to find the tomb of Ghengis Khan, because he wants to use the relics to cause an uprising in the East to wipe out the white race.

Chandu the Magician (1932)

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When delusional madman Roxor kidnaps a scientist in hopes of using his death ray to achieve world dominance, he is opposed by Chandu, a powerful hypnotist and yogi.

Häxan (1922)

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Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.